Thursday, August 24, 2017

Ganesh Chaturthi

Ganesh Chaturthi (IAST: Gaṇēśa Chaturthī), also known as Vinayaka Chaturthi (Vināyaka Chaturthī) is the Hindu festival that reveres god Ganesha.A ten-day festival, it starts on the fourth day of Hindu luni-solar calendar month Bhadrapada, which typically falls in Gregorian months of August or September. The festival is marked with installation of Ganesha clay idols privately in homes, or publicly on elaborate pandals (temporary stage). Observations include chanting of Vedic hymns and Hindu texts such as Ganapati Upanishad, prayers and vrata (fasting). Offerings and prasada from the daily prayers, that is distributed from the pandal to the community, include sweets such as modaka believed to be a favorite of the elephant-headed deity. The festival ends on the tenth day after start, wherein the idol is carried in a public procession with music and group chanting, then immersed in nearby water body such as a river or ocean, thereafter the clay idol dissolves and Ganesha is believed to return to Mount Kailasha to Parvati and Shiva.
The festival remembers Ganesha's birthday, and celebrates him as the god of good beginnings, prosperity and obstacle remover. It is observed throughout India, especially as a public event in the western states of India such as Maharashtra, Gujarat and Chhattisgarh, usually as a private home festival in other states such Goa,Karnataka,Tamil Nadu, Telangana, Andhra Pradesh and Madhya Pradesh. At public venues, along with the reading of texts and group feasting, athletic and martial arts competitions are held. It is unclear when the festival started, it may have South Indian origins, but historical evidence suggests it became a major social and public event with sponsorship of Shivaji after Muslim-Hindu (Mughal-Maratha) wars, and again in the 19th century after public appeal by Indian freedom fighter Lokmanya Tilak, who championed it as a means to circumvent the colonial British government ban on Hindu gatherings through its anti-public assembly legislation in 1892.
Ganesha Chaturthi is also observed in Nepal and by the Hindu diaspora elsewhere such as in the Trinidad, Suriname, Fiji, Mauritius, United States and Europe (such as in Tenerife, Spain).

Ganesha

The earliest mention of Ganapati, now considered equivalent to Ganesha or Vinayaka, is found in the Rigveda. It appears twice in the Rigveda, once in hymn 2.23.1, as well as in hymn 10.112.9. Both of these hymns imply a role of Ganapati as "the seer among the seers, abounding beyond measure in food presiding among the elders and being the lord of invocation", while the hymn in mandala 10 states that without Ganapati "nothing nearby or afar is performed without thee", according to Michael. However, it is uncertain that the Vedic term Ganapati which literally means "guardian of the multitudes", referred specifically to later era Ganesha, nor do the Vedic texts mention Ganesha Chaturthi.
Ganapati appears in post-Vedic texts such as the Grhya Sutras and thereafter ancient Sanskrit texts such as the Vajasaneyi Samhita, the Yajnavalkya Smriti and the Mahabharata mention Ganapati as Ganesvaras and Vinayakas. Ganesha appears in the medieval Puranas in the form of "god of success, obstacle remover". The Skanda Purana, Narada Purana and the Brahma Vaivarta Purana, in particular, profusely praise him. Beyond textual interpretations, archeological and epigraphical evidence suggest Ganesha had become popular, was revered before the 8th century CE and numerous images of him are traceable to 7th century or earlier. For example, carvings at Hindu, Buddhist and Jain temples such as at the Ellora Caves, dated between the 5th and 8th century show Ganesha reverentially seated with major Hindu goddesses (Shakti)
The earliest mention of Ganapati, now considered equivalent to Ganesha or Vinayaka, is found in the Rigveda. It appears twice in the Rigveda, once in hymn 2.23.1, as well as in hymn 10.112.9.[15][16][17] Both of these hymns imply a role of Ganapati as "the seer among the seers, abounding beyond measure in food presiding among the elders and being the lord of invocation", while the hymn in mandala 10 states that without Ganapati "nothing nearby or afar is performed without thee", according to Michael.[15][18] However, it is uncertain that the Vedic term Ganapati which literally means "guardian of the multitudes", referred specifically to later era Ganesha, nor do the Vedic texts mention Ganesha Chaturthi.[19][16]
Ganapati appears in post-Vedic texts such as the Grhya Sutras and thereafter ancient Sanskrit texts such as the Vajasaneyi Samhita, the Yajnavalkya Smriti and the Mahabharata mention Ganapati as Ganesvaras and Vinayakas. Ganesha appears in the medieval Puranas in the form of "god of success, obstacle remover". The Skanda Purana, Narada Purana and the Brahma Vaivarta Purana, in particular, profusely praise him.[20] Beyond textual interpretations, archeological and epigraphical evidence suggest Ganesha had become popular, was revered before the 8th century CE and numerous images of him are traceable to 7th century or earlier. For example, carvings at Hindu, Buddhist and Jain temples such as at the Ellora Caves, dated between the 5th and 8th century show Ganesha reverentially seated with major Hindu goddesses (Shakti).

Festival

Although it is unknown when (or how) Ganesha Chaturthi was first observed, the festival has been publicly celebrated in Pune since the era of Shivaji (1630–1680, founder of the Maratha Empire). After the start of the British Raj, the Ganesha festival lost state patronage and became a private family celebration in Maharashtra until its revival by Indian freedom fighter and social reformer Lokmanya Tilak. The festival, along with processions, was already in vogue as a public and a private celebration in Mumbai (then called Bombay) in 1885, according to the eyewitness account by a visiting Italian Sanskrit professor Angelo de Gubernatis:
I followed with the greatest curiosity crowds who carried in procession an infinite number of idols of the god Ganesh. Each little quarter of the town, each family with its adherents, each little street corner I may almost say, organizes a procession of its own, and the poorest may be seen carrying on a simple plank their little idol or of papier mâché... A crowd, more or less numerous, accompanies the idol, clapping hands and raises cries of joy, while a little orchestra generally precedes the idol.
– Angelo de Gubernatis, Bombay Gazette (1886)
According to others such as Kaur, the festival became a public event later, in 1892 when Bhausaheb Laxman Javale ( also known as Bhau Rangari), installed the first sarvajanik (public) Ganesha idol in Pune.] In 1893, the Indian freedom fighter Lokmanya Tilak praised the celebration of sarvajanik Ganesha utsav in his newspaper, Kesari, and dedicated his efforts to launch the annual domestic festival into a large, well-organised public event.[26] Tilak recognized Ganesha's appeal as "the god for everybody",and according to Robert Brown, he chose Ganesha as the god that bridged "the gap between Brahmins and non-Brahmins", thereby building a grassroots unity across them to oppose British colonial rule.
Other scholars state that the British Empire, after 1870 out of fear of seditious assemblies, had passed a series of ordinances that banned public assembly for social and political purposes of more than 20 people in British India, but exempted religious assembly for Friday mosque prayers under pressure from the Indian Muslim community. Tilak believed that this effectively blocked the public assembly of Hindus whose religion did not mandate daily prayers or weekly gatherings, and he leveraged this religious exemption to make Ganesh Chaturthi to circumvent the British colonial law on large public assembly. He was the first to install large public images of Ganesha in pavilions in Bombay Presidency, and other celebratory events at the festival.

According to Richard Cashman, Tilak recruited and passionately committed himself to god Ganesha after the 1893 Hindu-Muslim communal violence in Bombay and the Deccan riots, when he felt that the British India government under Lord Harris had repeatedly taken sides and not treated Hindus fairly because Hindus were not well organized. In Tilak's estimate, Ganesha worship and processions were already popular in rural and urban Hindu populations, across social castes and classes in Baroda, Gwalior, Pune and most of the Maratha region in the 18th century. In 1893, Tilak helped expand Ganesh Chaturthi festival into a mass community event and a hidden means for political activism, intellectual discourse, poetry recitals, plays, concerts, and folk dances.
In Goa, Ganesha Chaturthi predates the Kadamba era. The Goa Inquisition had banned Hindu festivals, and Hindus who did not convert to Christianity were severely restricted. However, Hindu Goans continued to practice their religion despite the restrictions. Many families worship Ganesha in the form of patri (leaves used for worshiping Ganesha or other gods), a picture drawn on paper or small silver idols. In some households Ganesha idols are hidden, a feature unique to Ganesh Chaturthi in Goa due to a ban on clay Ganesha idols and festivals by the Jesuits as part of the Inquisition.

Public Preparations for the festival begins months ahead. They are usually funded by local residents, businesses and community organizations.The idol making in Maharashtra usually begins with "Padya pooja" or worshipping the feet of Lord Ganesh. The idols are brought to "pandals" or temporary structures usually 15–20 days before. The pandals have elaborate decoration and lighting.
At home the festival begins with the purchase and then the ceremonial installation of a clay murti (idol). Families decorate a small, clean corner with flowers and other colourful items before installing the idol. When the idol is installed, it and its shrine are decorated with flowers and other materials.
The food offerings to Ganesha include 21 modaka (shown), a type of wrapped dessert. This is also the prasada to the community.
In preparation for the festival, artisans create clay models of Ganesha for sale. The idols range in size from 34 inch (1.9 cm) for homes to over 70 ft (21 m) for large community celebrations.[39]
The date for the festival is usually decided by the presence of Chaturthi Thithi. The festival is held during "Bhadrapada Madyahanaa Purvabaddha". If the chaturthi thiti begins at night on previous day and gets over by morning on next day then the next day is observed as vinayaka chaturthi. In the consecration ceremony, a priest performs a Prana Pratishtha to invite Ganesha like a guest. This is followed by the 16-step Shodashopachara ritual,[40] (Sanskrit: Shodash, 16; Upachara, process) during which coconut, jaggery, modaks, durva grass and red hibiscus flowers are offered to the idol. Depending on the region of India,during the ceremony, hymns from the Rigveda, the Ganapati Atharvashirsa, the Upanishads, and the Ganesha stotra (prayer) from the Narada Purana are chanted.In Maharashtra, Aartis are performed with friends and family, typically in the morning and evening.

India

Ganesh Idol in Hyderabad
Ganesh Idol in Hyderabad
Vinayagar Chathurthi festival in Tamil Nadu
Large statue of Ganesha
70 feet Ganesha Murti in Vishakhapatnam
In India, Ganesha Chaturthi is primarily celebrated at home and in public by local community groups in the central and western states of Madhya Pradesh, Maharashtra, Gujarat and Goa and the southern states of Karnataka, Kerala, Andhra Pradesh, Telangana, and Tamil Nadu.

At home

At homes in Maharashtra, families install small clay statues for worship during the festival. The idol is worshiped in the morning and evening with offerings of flowers, durva(strands of young grass), karanji and modaks (jaggery and coconut flakes wrapped in rice flour dumplings).[2][41][42] The worship ends with the singing of an aarti in honour of Ganesha, other gods and saints. In Maharashtra the Marathi aarti "Sukhakarta Dukhaharta", composed by the 17th century saint, Samarth Ramdas is sung.[43] Family traditions differ about when to end the celebration. Domestic celebrations end after 1 12, 3, 5, 7 or 11 days. At that time the idol is ceremoniously brought to a body of water (such as a lake, river or the sea) for immersion. In Maharashtra, Ganeshotsav also incorporates other festivals, namely Hartalika and the Gauri festival, the former is observed with a fast by women on the day before Ganesh Chaturthi whilst the latter by the installation of idols of Gauris.[44]
In Goa, Ganesh Chaturthi is known as Chavath in Konkani and Parab or Parva ("auspicious celebration");[45] it begins on the third day of the lunar month of Bhadrapada. On this day Parvati and Shiva are worshiped by women, who fast.[46] Instruments such as ghumots, Crash cymbals (ताळ(taal) in Konkani ) and pakhavaj (an Indian barrel-shaped, two-headed drum) are played during the rituals.[47] The harvest festival, Navyachi Pancham, is celebrated the next day; freshly-harvested paddy is brought home from the fields (or temples) and a puja is conducted. Communities who ordinarily eat seafood refrain from doing so during the festival.[46]
In Karnataka the Gowri festival precedes Ganesha Chaturthi, and people across the state wish each other well. In Andhra Pradesh, Ganesha idols of clay (Matti Vinayakudu) and turmeric (Siddhi Vinayakudu) are usually worshiped at home with plaster of Paris idols.

In public

Large statue of Ganesha on the water, surrounded by people
Ganesha Visarjan in Mumbai
Head of a statue of Ganesha
Ganpati idol in Pune
Public celebrations of the festival are popular, and are organised by local youth groups, neighborhood associations or groups of tradespeople. Funds for the public festival are collected from members of the association arranging the celebration, local residents and businesses.[48] The Ganesha idols and accompanying statues are installed in temporary shelters, known as mandaps or pandals. The festival features cultural activities such as singing, theater and orchestral performances and community activities such as free medical checkups, blood-donation sites and donations to the poor. Ganesh Chaturthi, in addition to its religious aspects, is an important economic activity in Mumbai, Surat, Pune, Hyderabad, Bangalore and Chennai. Many artists, industries, and businesses earn a significant amount of their living from the festival, which is a stage for budding artists. Members of other religions also participate in the celebration.[49][50][51]
In Tamil Nadu the festival, also known as Vinayaka Chaturthi or Pillayar Chaturthi, falls on the fourth day after the new moon in the month of Āvaṇi in the Tamil calendar. The idols are usually made of clay or papier-mâché, since plaster of Paris idols have been banned by the state government.[citation needed]. Idols are also made of coconuts and other organic products. They are worshiped for several days in pandals, and immersed in the Bay of Bengal the following Sunday. In Kerala the festival is also known as Lamboodhara Piranalu, which falls in the month of Chingam.[52] In Thiruvananthapuram a procession marches from the Pazhavangadi Ganapathi Temple to Shankumugham Beach, with tall statues of Ganesha made from organic items and milk immersed in the sea.

Abroad

Ganesha Chaturthi is celebrated in the UK by the migrant Hindu population and the large number of Indians living there. The Hindu Culture and Heritage Society, a Southall-based organisation, celebrated Ganesha Chaturthi for the first time in London in 2005 at the Vishwa Hindu Temple; the idol was immersed in the River Thames at Putney Pier. Another celebration, organised by a Gujarati group, has been celebrated in Southend-on-Sea and attracted an estimated 18,000 devotees. Annual celebrations are also held on the River Mersey in Liverpool.
The Philadelphia Ganesha Festival is one of the most popular celebrations of Ganesha Chaturthi in North America, and it is also celebrated in Canada, Mauritius, Malaysia and Singapore. The Mauritius festival dates back to 1896, and the Mauritian government has made it a public holiday.[59] In Malaysia and Singapore, the festival is more commonly known as Vinayagar Chaturthi because of the large Tamil-speaking Hindu minority.

Foods

Modaka are sweet dumplings, the traditional offerings and prasada in Ganesh Chaturthi. Left: raw with fillings, Right: cooked.
The primary sweet dish during the festival is modak (modak in Marathi and Konkani, modakam or kudumu in Telugu, modaka or kadubu in Kannada, kozhakatta or modakkam in Malayalam and kozhukattai or modagam in Tamil). A modak is a dumpling made from rice or wheat flour, stuffed with grated coconut, jaggery, dried fruits and other condiments and steamed or fried. Another popular sweet dish is the karanji (karjikai in Kannada), similar to modak in composition and taste but in a semicircular shape.This sweet meal is called Nevri in Goa and is synonymous with Ganesh festival amongst the Goans and the Konkani diaspora.
In Andhra Pradesh and Telangana modak, laddu, vundrallu (steamed, coarsely-ground rice-flour balls), panakam (a jaggery-, black pepper- and cardamom-flavored drink), vadapappu (soaked moong lentils) and chalividi (a cooked rice flour and jaggery mixture) are offered to Ganesha. These offerings are known as naivedya, and a plate of modak traditionally holds 21 pieces of the sweet. In Goa, modak and a Goan version of idli (sanna) is popular.

Environmental impact

The Madras High Court ruled in 2004 that immersion of Ganesh idols is unlawful because it incorporates chemicals that pollute the sea water.] In Goa the sale of plaster-of Paris Ganesha idols has been banned by the state government and celebrants are encouraged to buy traditional, artisan-made clay idols.[64] Recent initiatives to produce traditional clay Ganesha idols in Hyderabad have been sponsored by the Andhra Pradesh Pollution Control Board.
Due to environmental concerns, a number of families now avoid bodies of water and let the clay statue disintegrate in a barrel of water at home. After a few days, the clay is spread in the home garden. In some cities a public, eco-friendly process is used for the immersion.
 POSTED BY :VIPUL KOUL
EDITED BY   :ASHOK KOUL


Wednesday, August 23, 2017

Pann Deun

Pann Deun

"Pann / Pun Deun" is one of the important celebrations of Kashmiri Pandits. The auspicious day on which this day is celebrated is one of the few days of bright lunar fortnight of Bhadroon around Ganesh Chuturthi festival.Kashmiri Pann - Pun Story In Kashmir it is called 'Vinayak Choram' and out of all dates the most auspicious day is Sunday - "Vinayak Choram Te Aathwaar". The day starts with the making of the Roths. The (any married) lady of the family takes the full charge of the occassion and rest of the ladies in the house follow her. The work starts with collecting fresh water, washing all the utensils and making sure everything used for the The head lady has to wear a cotton thread made by an unmarried girl and put her around her right ear during the making of the Roths. Pann Puja is extremely pure. Throughout the making of the Roths no one is allowed to gossip, rather the task is carried by chanting holy mantras.
After the Roths are prepared they are kept in a big cane basket and covered with fresh cotton cloth. These Roths are not allowed to be touched or eaten before the Puja. Then the big Lota or Gadvi is filled with fresh water and decorated with garlands, silver foil, Naerivan (Mauli) and Sindoor or Kum-Kum. Now this Lota is covered with a big Roth and couple of small ones and some dry fruits, fresh fruits etc. Now the head lady ties the Naerivan on the wrist and applies tilak on the forehead of all the family members. They then sit with some washed grains, flowers and little fresh grass (Dramun) in their folded hands and any member of the family (who fully knows the story) narrates the traditional story of the "Beib Darb Maej". As the story ends, the lady opens the lid of the lota which was covered with the Roth and every one offers grains, flowers, dramun etc to the goddess wishing prosperity and health. Then the Roths are distributed among all the members of the family as Prasad. These Roths are also distributed among relatives, neighbors and friends.
Significance:
It is said that our ancestors wanted girls in the family to be independant and capable of earning money for themselves. Thus they encouraged their unmarried daughters to make the thread or "Pann / Pun" from the cotton balls by bare hands as well as on Charkha. Out of this Pann a little length was kept to be worn by the head lady of the family on Vinayak Choram, and rest was then sold in the market by the girl. Her first earning was considered to bring prosperity and health for her and thus was contributed in getting the material for making Roths and offerings made to the Goddess or Beib Darab Maej.
There are many stories related to this festival, one of the story which is commonly naratted:
Once upon a time there lived a King with his the Queen and their daughter. The daughter being very skilled, beautiful and religious minded always used to offer ROTH to Beib Dharab Maej on the Auspicious day of Bhadurpath Vinayak Churam Sunday. One day, the King loaded two ships of silver gold and other wealthy items to be exchanged for the goods essentially required for his kingdom and decided to leave for journey on he same day of the Pann festival. Meanwhile the Queen ordered that preparation of roth should be made as early as possible so that King could leave for journey only afer having prashad. All preparations were made, and Queen was now ready for the Praypuin. The King entered into the palace with his fellow men and asked the Queen that he was leaving. The Queen humbly requested the king to wait for few more minutes till the Puja is over and then leave for journey after having Prashaad. The King got angry and lost his wits and entered into the Puja room with shoes and without washing hands and destroyed the purity and sanctity of the Prashad & Puja and left for journey, leaving the Queen very upset and depressed. Since the king did not return back for more than couple of months, the rumor spread in the kingdom that King along with his cargo has drowned in the sea. This hue and cry in the kingdom made the rivals concious and they attacked and captured the kingdom. The Queen and Princess were forced to leave their palace. They reached to a nearby village where the rich man of the village offered a job of husking paddy to the Queen and cleanness of the stable to the princess. Again next year this day came & the princess told her mother that she would want to celebrate this day. It is said as they celebrated this day, the King came back gathered his army again and captured his kingdom. Thus the King, Queen and the Princess lived happily again.
Kashmiri Pann / Pun Katha / Story
Roth or the "Kashmiri Pan Cakes" as they are better known as, are prepared on the occassion of Pann as the Prasad for the Pann / Pun Pooza to invoke the goddess for prosperity and luck.
ROTH RECIPE:
Kashmiri Pun Roth RecipeServings: 6 to 8 Pieces of Roth
Ingredients:
4 cups of all purpose flour
1.5 cups of sugar soaked in 1 cup of Milk
0.5 cup of Ghee
0.5 cup of Khus-Khus (poppy seeds)
5 crushed black cardamom seeds
15 to 20 Soaked and peeled Almonds
Ghee for frying
Method:
1. Mix flour, sugar-milk syrup and ghee in a bowl.
2. Add cardamom seeds and un-evenly crushed almonds and mix.
3. Slowly add water and mix to form a a little tight spongy dough.
4. Make dough balls of eual size and roll them in thick round shaped bread.
5. Heat the ghee for frying in a deep bottomed pan.
6. Make designs on the rolled bread with fork / knife.
7. Deep fry on both sides till the bread is reddish brown.
8. Take the Roth out from the pan and keep on paper towel to strain extra Ghee.
9. Sprinkle poppy seeds and decorate with silver foil.

Wednesday, August 16, 2017

Ramakrishna


From Wikipedia, the free encyclopedia
Sri Ramakrishna Paramahamsa
শ্রীরামকৃষ্ণ পরমহংসদেব
Ramakrishna.jpg
Ramakrishna at Dakshineswar
Religion Hinduism
Founder of Ramakrishna Order
Philosophy Advaita Vedanta, Bhakti, Tantra
Personal
Nationality Indian
Born Gadadhar Chattopadhyay
18 February 1836
Kamarpukur, Bengal Presidency, British India
(now in West Bengal, India)
Died 16 August 1886 (aged 50)
Calcutta, Bengal Presidency, British India
(now Kolkata, West Bengal, India)
Spouse Sarada Devi
Guru Totapuri
Disciple(s) Swami Vivekananda and others
Honors Paramahamsa
Quotation
He is born in vain who, having attained the human birth, so difficult to get, does not attempt to realise God in this very life.
Ramakrishna Paramahamsa (Bengali: রামকৃষ্ণ পরমহংস) About this sound Ramkṛiṣṇo Pôromôhongśo ; 18 February 1836 – 16 August 1886),[1][2][3][4][5][6][7] born Gadadhar Chatterjee or Gadadhar Chattopadhyay[8] (Bengali: [Gôdadhor Chôṭṭopaddhae]), was an Indian mystic and yogi during the 19th-century.[9] Ramakrishna was given to spiritual ecstacies from a young age, and was influenced by several religious traditions, including devotion toward the goddess Kali, Tantra, Vaishnava bhakti,[10] and Advaita Vedanta. Reverence and admiration for him amongst Bengali elites led to the formation of the Ramakrishna Mission by his chief disciple Swami Vivekananda.[11][12][13]

Contents

Early life

Birth and childhood

Ramakrishna was born on 17 February 1836,[1] in the village of Kamarpukur, in the Hooghly district of West Bengal, into a very poor, pious, and orthodox Brahmin family.[14] Kamarpukur was untouched by the glamour of the city and contained rice fields, tall palms, royal banyans, a few lakes, and two cremation grounds. His parents were Khudiram Chattopadhyay and Chandramani Devi. According to his followers, Ramakrishna's parents experienced supernatural incidents and visions before his birth. In Gaya his father Khudiram had a dream in which Lord Gadadhara (a form of Vishnu), said that he would be born as his son. Chandramani Devi is said to have had a vision of light entering her womb from Shiva's temple.[15][16]
The small house at Kamarpukur where Ramakrishna lived (centre). The family shrine is on the left, birthplace temple on the right
Although Ramakrishna attended a village school with some regularity for 12 years,[17] he later rejected the traditional schooling saying that he was not interested in a "bread-winning education".[18] Kamarpukur, being a transit-point in well-established pilgrimage routes to Puri, brought him into contact with renunciates and holy men.[19] He became well-versed in the Puranas, the Ramayana, the Mahabharata, and the Bhagavata Purana, hearing them from wandering monks and the Kathaks—a class of men in ancient India who preached and sang the Purāṇas. He could read and write in Bengali.[17] While the official biographies write that the name Ramakrishna was given by Mathura Biswas—chief patron at Dakshineswar Kali Temple, it has also been suggested that this name was given by his own parents.
Ramakrishna describes his first spiritual ecstasy at the age of six: while walking along the paddy fields, a flock of white cranes flying against a backdrop of dark thunder clouds caught his vision. He reportedly became so absorbed by this scene that he lost outward consciousness and experienced indescribable joy in that state.[20][21] Ramakrishna reportedly had experiences of similar nature a few other times in his childhood—while worshipping the goddess Vishalakshi, and portraying god Shiva in a drama during Shivaratri festival. From his 10th or 11th year of school on, the trances became common, and by the final years of his life, Ramakrishna's samādhi periods occurred almost daily.[21] Early on, these experiences have been interpreted as epileptic seizures,[22][23][24][25] an interpretation which was rejected by Ramakrishna himself.[24][note 1]
Ramakrishna's father died in 1843, after which family responsibilities fell on his elder brother Ramkumar. This loss drew him closer to his mother, and he spent his time in household activities and daily worship of the household deities and became more involved in contemplative activities such as reading the sacred epics. When Ramakrishna was in his teens, the family's financial position worsened. Ramkumar started a Sanskrit school in Calcutta and also served as a priest. Ramakrishna moved to Calcutta in 1852 with Ramkumar to assist in the priestly work.[27]

Priest at Dakshineswar Kali Temple

Dakshineswar Kāli Temple, where Ramakrishna spent a major portion of his adult life.
In 1855 Ramkumar was appointed as the priest of Dakshineswar Kali Temple, built by Rani Rashmoni—a rich woman of Calcutta who belonged to the kaivarta community.[28] Ramakrishna, along with his nephew Hriday, became assistants to Ramkumar, with Ramakrishna given the task of decorating the deity. When Ramkumar died in 1856, Ramakrishna took his place as the priest of the Kali temple.[29]
After Ramkumar's death Ramakrishna became more contemplative. He began to look upon the image of the goddess Kali as his mother and the mother of the universe. Ramakrishna reportedly had a vision of the goddess Kali as the universal Mother, which he described as "... houses, doors, temples and everything else vanished altogether; as if there was nothing anywhere! And what I saw was an infinite shoreless sea of light; a sea that was consciousness. However far and in whatever direction I looked, I saw shining waves, one after another, coming towards me."[30]

Marriage and gender identity

Sarada Devi (1853–1920), wife and spiritual counterpart of Ramakrishna
Rumors spread to Kamarpukur that Ramakrishna had become unstable as a result of his spiritual practices at Dakshineswar. Ramakrishna's mother and his elder brother Rameswar decided to get Ramakrishna married, thinking that marriage would be a good steadying influence upon him—by forcing him to accept responsibility and to keep his attention on normal affairs rather than his spiritual practices and visions. Ramakrishna himself mentioned that they could find the bride at the house of Ramchandra Mukherjee in Jayrambati, three miles to the north-west of Kamarpukur. The five-year-old bride, Saradamani Mukhopadhyaya (later known as Sarada Devi) was found and the marriage was duly solemnised in 1859. Ramakrishna was 23 at this point, but the age difference was typical for 19th century rural Bengal.[31] They later spent three months together in Kamarpukur. Sarada Devi was fourteen while Ramakrishna was thirty-two. Ramakrishna became a very influential figure in Sarada's life, and she became a strong follower of his teachings. After the marriage, Sarada stayed at Jayrambati and joined Ramakrishna in Dakshineswar at the age of 18.[32]
By the time his bride joined him, Ramakrishna had already embraced the monastic life of a sannyasi; as a result, the marriage was never consummated. As a priest Ramakrishna performed the ritual ceremony—the Shodashi Puja–where Sarada Devi was made to sit in the seat of goddess Kali, and worshiped as the Divine mother.[33] Ramakrishna regarded Sarada as the Divine Mother in person, addressing her as the Holy Mother, and it was by this name that she was known to Ramakrishna's disciples. Sarada Devi outlived Ramakrishna by 34 years and played an important role in the nascent religious movement.[34][35]
Ramakrishna proved that the gender identity of the body could be conquered. A disciple Mahendranath Gupta quotes the Master as follows:
How can a man conquer passion? He should assume the attitude of a woman. I spent many days as the handmaid of God. I dressed myself in women's clothes, put on ornaments and covered the upper part of my body with a scarf, just like a woman. With the scarf on I used to perform the evening worship before the image. Otherwise how could I have kept my wife with me for eight months? Both of us behaved as if we were the handmaid of the Divine Mother.[36][37]

Religious practices and teachers

After his marriage Ramakrishna returned to Calcutta and resumed the charges of the temple again, and continued his sadhana. According to his official biographers, he continued his sadhana under teachers of Tantra, Vedanta and Vaishnava.

Rama bhakti

At some point in the period between his vision of Kali and his marriage, Ramakrishna practised dāsya bhāva,[note 2] during which he worshiped Rama with the attitude of Hanuman, the monkey-god, who is considered to be the ideal devotee and servant of Rama. According to Ramakrishna, towards the end of this sadhana, he had a vision of Sita, the consort of Rama, merging into his body.[39][41]

Bhairavi Brahmani and Tantra

In 1861, Ramakrishna accepted Bhairavi Brahmani, an orange-robed, middle-aged female ascetic, as a teacher. She carried with her the Raghuvir Shila, a stone icon representing Ram and all Vaishnava deities.[10] She was thoroughly conversant with the texts of Gaudiya Vaishnavism and practised Tantra.[10] According to the Bhairavi, Ramakrishna was experiencing phenomena that accompany mahabhava, the supreme attitude of loving devotion towards the divine,[42] and quoting from the bhakti shastras, she said that other religious figures like Radha and Chaitanya had similar experiences.[43]
The Bhairavi initiated Ramakrishna into Tantra. Tantrism focuses on the worship of shakti and the object of Tantric training is to transcend the barriers between the holy and unholy as a means of achieving liberation and to see all aspects of the natural world as manifestations of the divine shakti.[44][45] Under her guidance, Ramakrishna went through sixty four major tantric sadhanas which were completed in 1863.[46] He began with mantra rituals such as japa and purascarana and many other rituals designed to purify the mind and establish self-control. He later proceeded towards tantric sadhanas, which generally include a set of heterodox practices called vamachara (left-hand path), which utilise as a means of liberation, activities like eating of parched grain, fish and meat along with drinking of wine and sexual intercourse.[42] According to Ramakrishna and his biographers, Ramakrishna did not directly participate in the last two of those activities (some even say he didn't indulge in meat eating), all that he needed was a suggestion of them to produce the desired result.[42] Ramakrishna acknowledged the left-hand tantric path, though it had "undesirable features", as one of the "valid roads to God-realization", he consistently cautioned his devotees and disciples against associating with it.[47][48] The Bhairavi also taught Ramakrishna the kumari-puja, a form of ritual in which the Virgin Goddess is worshiped symbolically in the form of a young girl. Under the tutelage of the Bhairavi, Ramakrishna also learnt Kundalini Yoga.[42] The Bhairavi, with the yogic techniques and the tantra played an important part in the initial spiritual development of Ramakrishna.[8][49]

Vaishnava Bhakti

In 1864, Ramakrishna practised vātsalya bhāva under a Vaishnava guru Jatadhari.[50] During this period, he worshipped a metal image of Ramlālā (Rama as a child) in the attitude of a mother. According to Ramakrishna, he could feel the presence of child Rama as a living God in the metal image.[51][52]
Ramakrishna later engaged in the practice of madhura bhāva, the attitude of the Gopis and Radha towards Krishna.[39] During the practise of this bhava, Ramakrishna dressed himself in women's attire for several days and regarded himself as one of the Gopis of Vrindavan. According to Sri Ramakrishna, madhura bhava is practised to root out the idea of sex, which is seen as an impediment in spiritual life.[37] According to Ramakrishna, towards the end of this sadhana, he attained savikalpa samadhi—vision and union with Krishna.[53]
Ramakrishna visited Nadia, the home of Lord Sri Chaitanya Mahaprabhu and Sri Nityananda Prabhu, the 15th-century founders of Bengali Gaudiya Vaishnava bhakti. According to Ramakrishna, he had an intense vision of two young boys merging into his body.[53] Earlier, after his vision of Kali, he is said to have cultivated the Santa bhava—the child attitude – towards Kali.[39]

Totapuri and Vedanta

The Panchavati and the hut where Ramakrishna performed his advaitic sadhana. The mud hut has been replaced by a brick one.
In 1865, Ramakrishna was initiated into sannyasa by Totapuri, an itinerant monk who trained Ramakrishna in Advaita Vedanta, the Hindu philosophy which emphasises non-dualism.[54][55]
Totapuri first guided Ramakrishna through the rites of sannyasa—renunciation of all ties to the world. Then he instructed him in the teaching of advaita—that "Brahman alone is real, and the world is illusory; I have no separate existence; I am that Brahman alone."[56] Under the guidance of Totapuri, Ramakrishna reportedly experienced nirvikalpa samadhi, which is considered to be the highest state in spiritual realisation.[57]
Totapuri stayed with Ramakrishna for nearly eleven months and instructed him further in the teachings of advaita. Ramakrishna said that this period of nirvikalpa samadhi came to an end when he received a command from the Mother Kali to "remain in Bhavamukha; for the enlightenment of the people". Bhavamukha being a state of existence intermediate between samādhi and normal consciousness.[58]

Islam and Christianity

In 1866, Govinda Roy, a Hindu guru who practised Sufism, initiated Ramakrishna into Islam. Ramakrishna said that he "devoutly repeated the name of Allah, wore a cloth like the Arab Muslims, said their prayer five times daily, and felt disinclined even to see images of the Hindu gods and goddesses, much less worship them—for the Hindu way of thinking had disappeared altogether from my mind."[59] According to Ramakrishna, after three days of practice he had a vision of a "radiant personage with grave countenance and white beard resembling the Prophet and merging with his body".[60]
At the end of 1873 he started the practice of Christianity, when his devotee Shambu Charan Mallik read the Bible to him. Ramakrishna said that for several days he was filled with Christian thoughts and no longer thought of going to the Kali temple. Ramakrishna described a vision in which a picture of the Madonna and Child became alive and he had a vision in which Jesus merged with his body. In his own room amongst other divine pictures was one of Christ, and he burnt incense before it morning and evening. There was also a picture showing Jesus Christ saving St Peter from drowning in the water.[53][61]

Popularisation

Ramakrishna in bhava samadhi at the house of Keshab Chandra Sen. He is seen supported by his nephew Hriday and surrounded by brahmo devotees.

Keshab Chandra Sen and the "New Dispensation"

In 1875, Ramakrishna met the influential Brahmo Samaj leader Keshab Chandra Sen.[62][63] Keshab had accepted Christianity, and had separated from the Adi Brahmo Samaj. Formerly, Keshab had rejected idolatry, but under the influence of Ramakrishna he accepted Hindu polytheism and established the "New Dispensation" (Nava Vidhan) religious movement, based on Ramakrishna's principles—"Worship of God as Mother", "All religions as true" and "Assimilation of Hindu polytheism into Brahmoism".[64] Keshab also publicised Ramakrishna's teachings in the journals of New Dispensation over a period of several years,[65] which was instrumental in bringing Ramakrishna to the attention of a wider audience, especially the Bhadralok (English-educated classes of Bengal) and the Europeans residing in India.[66][67]
Following Keshab, other Brahmos such as Vijaykrishna Goswami started to admire Ramakrishna, propagate his ideals and reorient their socio-religious outlook. Many prominent people of Calcutta—Pratap Chandra Mazumdar, Shivanath Shastri and Trailokyanath Sanyal—began visiting him during this time (1871–1885). Mazumdar wrote the first English biography of Ramakrishna, entitled The Hindu Saint in the Theistic Quarterly Review (1879), which played a vital role in introducing Ramakrishna to Westerners like the German indologist Max Müller.[65] Newspapers reported that Ramakrishna was spreading "Love" and "Devotion" among the educated classes of Calcutta and that he had succeeded in reforming the character of some youths whose morals had been corrupt.[65]
Ramakrishna also had interactions with Debendranath Tagore, the father of Rabindranath Tagore, and Ishwar Chandra Vidyasagar, a renowned social worker. He had also met Swami Dayananda.[62] Ramakrishna is considered one of the main contributors to the Bengali Renaissance.

Vivekananda

Among the Europeans who were influenced by Ramakrishna was Principal Dr. William Hastie of the Scottish Church College, Calcutta. In the course of explaining the word trance in the poem The Excursion by William Wordsworth, Hastie told his students that if they wanted to know its "real meaning", they should go to "Ramakrishna of Dakshineswar." This prompted some of his students, including Narendranath Dutta (later Swami Vivekananda), to visit Ramakrishna.
Despite initial reservations, Vivekananda became Ramakrishna's most influential follower, popularizing a modern interpretation of Indian traditions which harmonised Tantra, Yoga and Advaita Vedanta. Vivekanda established the Ramakrishna order, which eventually spread its mission posts throughout the world. Monastic disciples, who renounced their family and became the earliest monks of the Ramakrishna order, included Rakhal Chandra Ghosh (Swami Brahmananda), Kaliprasad Chandra (Swami Abhedananda), Taraknath Ghoshal (Swami Shivananda), Sashibhushan Chakravarty (Swami Ramakrishnananda), Saratchandra Chakravarty (Swami Saradananda), Tulasi Charan Dutta (Swami Nirmalananda), Gangadhar Ghatak (Swami Akhandananda), Hari Prasana (Swami Vijnanananda) and others.

Other devotees and disciples

Some Monastic Disciples (L to R): Trigunatitananda, Shivananda, Vivekananda, Turiyananda, Brahmananda. Below Sadananda.
Mahendranath Gupta, a householder devotee and the author of Sri-Sri-Ramakrisna-kathamrta.
As his name spread, an ever-shifting crowd of all classes and castes visited Ramakrishna. Most of Ramakrishna's prominent disciples came between 1879–1885.[35] Apart from the early members who joined the Ramakrishna Order, his chief disciples consisted of:[52]
In preparation for monastic life, Ramakrishna ordered his monastic disciples to beg their food from door to door without distinction of caste. He gave them the saffron robe, the sign of the Sanyasi, and initiated them with Mantra Deeksha.[70]

Last days

The disciples and devotees at Ramakrishna's funeral
In the beginning of 1885 Ramakrishna suffered from clergyman's throat, which gradually developed into throat cancer. He was moved to Shyampukur near Calcutta, where some of the best physicians of the time, including Dr. Mahendralal Sarkar, were engaged. When his condition aggravated he was relocated to a large garden house at Cossipore on 11 December 1885.[71]
During his last days, he was looked after by his monastic disciples and Sarada Devi. Ramakrishna was advised by the doctors to keep the strictest silence, but ignoring their advice, he incessantly conversed with visitors.[66] According to traditional accounts, before his death, Ramakrishna transferred his spiritual powers to Vivekananda[71] and reassured Vivekananda of his avataric status.[71][72] Ramakrishna asked Vivekananda to look after the welfare of the disciples, saying, "keep my boys together"[73] and asked him to "teach them".[73] Ramakrishna also asked other monastic disciples to look upon Vivekananda as their leader.[71] Ramakrishna's condition gradually worsened, and he died in the early morning hours of 16 August 1886 at the Cossipore garden house. According to his disciples, this was mahasamadhi.[71] After the death of their master, the monastic disciples led by Vivekananda formed a fellowship at a half-ruined house at Baranagar near the river Ganges, with the financial assistance of the householder disciples. This became the first Math or monastery of the disciples who constituted the first Ramakrishna Order.[35]

Teachings

The Gospel of Sri Ramakrishna

The principal source for Ramakrishna's teaching is Mahendranath Gupta's Sri Sri Ramakrishna Kathamrita, which is regarded as a Bengali classic.[74][75] Kripal calls it "the central text of the tradition".[76] The text was published in five volumes from 1902 to 1932. Based on Gupta's diary notes, each of the five volumes purports to document Ramakrishna's life from 1882–1886.
The most popular translation of the Kathamrita is The Gospel of Sri Ramakrishna by Swami Nikhilananda. Nikhilananda's translation rearranged the scenes in the five volumes of the Kathamrita into a linear sequence.[77] Malcolm Mclean[78] and Jeffrey Kripal argue that the translation is unreliable.[77] Philosopher Lex Hixon writes that the Gospel is "spiritually authentic" and a "powerful rendering of the Kathamrita".[79]

Style of teaching

Ramakrishna's teachings were imparted in rustic Bengali, using stories and parables.[8] These teachings made a powerful impact on Calcutta's intellectuals, despite the fact that his preachings were far removed from issues of modernism or national independence.[80]
Ramakrishna's primary biographers describe him as talkative. According to the biographers, Ramakrishna would reminisce for hours about his own eventful spiritual life, tell tales, explain Vedantic doctrines with extremely mundane illustrations, raise questions and answer them himself, crack jokes, sing songs, and mimic the ways of all types of worldly people, keeping the visitors enthralled.[70][81]
Ramakrishna used rustic colloquial Bengali in his conversations. According to contemporary reports, Ramakrishna's linguistic style was unique, even to those who spoke Bengali. It contained obscure local words and idioms from village Bengali, interspersed with philosophical Sanskrit terms and references to the Vedas, Puranas, and Tantras. For that reason, according to philosopher Lex Hixon, his speeches cannot be literally translated into English or any other language.[82] Scholar Amiya P. Sen argued that certain terms that Ramakrishna may have used only in a metaphysical sense are being improperly invested with new, contemporaneous meanings.[83]
Ramakrishna was skilled with words and had an extraordinary style of preaching and instructing, which may have helped convey his ideas to even the most skeptical temple visitors.[35] His speeches reportedly revealed a sense of joy and fun, but he was not at a loss when debating with intellectual philosophers.[84] Philosopher Arindam Chakrabarti contrasted Ramakrishna's talkativeness with Buddha's legendary reticence, and compared his teaching style to that of Socrates.[85]

God-realization

Ramakrishna emphasised God-realisation as the supreme goal of all living beings. Ramakrishna taught that kamini-kanchana is an obstacle to God-realization. Kamini-kanchan literally translates to "woman and gold." Partha Chatterjee wrote that the figure of a woman stands for concepts or entities that have "little to do with women in actuality" and "the figure of woman-and-gold signified the enemy within: that part of one's own self which was susceptible to the temptations of ever-unreliable worldly success."[86] Carl T. Jackson interprets kamini-kanchana to refer to the idea of sex and the idea of money as delusions which prevent people from realising God.[87] Jeffrey Kripal translates the phrase as "lover-and-gold" and associates it with Ramakrishna's alleged disgust for women as lovers.[88] Swami Tyagananda, considered this to be a "linguistic misconstruction."[89] Ramakrishna also cautioned his women disciples against purusa-kanchana ("man and gold") and Tyagananda writes that Ramakrishna used Kamini-Kanchana as "cautionary words" instructing his disciples to conquer the "lust inside the mind."[90]
Ramakrishna practised several religions, including Islam and Christianity, and taught that in spite of the differences, all religions are valid and true and they lead to the same ultimate goal—God.[91]

Metaphysics

To a devotee Sri Ramakrishna said:
It has been revealed to me that there exists an Ocean of Consciousness without limit. From It come all things of the relative plane, and in It they merge again. These waves arising from the Great Ocean merge again in the Great Ocean. I have clearly perceived all these things.[92]
Ramakrishna regarded the Supreme Being to be both Personal and Impersonal, active and inactive:
When I think of the Supreme Being as inactive - neither creating nor preserving nor destroying - I call Him Brahman or Purusha, the Impersonal God. When I think of Him as active - creating, preserving and destroying - I call Him Sakti or Maya or Prakriti, the Personal God. But the distinction between them does not mean a difference. The Personal and Impersonal are the same thing, like milk and its whiteness, the diamond and its lustre, the snake and its wriggling motion. It is impossible to conceive of the one without the other. The Divine Mother and Brahman are one.[93]
Ramakrishna regarded maya to be of two natures, avidya maya and vidya maya. He explained that avidya maya represents dark forces of creation (e.g. sensual desire, selfish actions, evil passions, greed, lust and cruelty), which keep people on lower planes of consciousness. These forces are responsible for human entrapment in the cycle of birth and death, and they must be fought and vanquished. Vidya maya, on the other hand, represents higher forces of creation (e.g. spiritual virtues, selfless action, enlightening qualities, kindness, purity, love, and devotion), which elevate human beings to the higher planes of consciousness.[94]

Society

Ramakrishna taught that jatra jiv tatra Shiv (wherever there is a living being, there is Shiva). His teaching, "Jive daya noy, Shiv gyane jiv seba" (not kindness to living beings, but serving the living being as Shiva Himself) is considered as the inspiration for the philanthropic work carried out by his chief disciple Vivekananda.[95]
In the Calcutta scene of the mid to late nineteenth century, Ramakrishna was opinionated on the subject of Chakri. Chakri can be described as a type of low-paying servitude done by educated men—typically government or commerce-related clerical positions. On a basic level, Ramakrishna saw this system as a corrupt form of European social organisation that forced educated men to be servants not only to their bosses at the office but also to their wives at home. What Ramakrishna saw as the primary detriment of Chakri, however, was that it forced workers into a rigid, impersonal clock-based time structure. He saw the imposition of strict adherence to each second on the watch as a roadblock to spirituality. Despite this, however, Ramakrishna demonstrated that Bhakti could be practised as an inner retreat to experience solace in the face of Western-style discipline and often discrimination in the workplace.[96]
His spiritual movement indirectly aided nationalism, as it rejected caste distinctions and religious prejudices.[80]

Reception and legacy

The marble statue of Ramakrishna at Belur Math, the headquarters of the Ramakrishna Mission
Ramakrishna is considered an important figure in the Bengali Renaissance of 19th–20th century. Several organisations have been established in his name.[97] The Ramakrishna Math and Mission is the main organisation founded by Swami Vivekananda in 1897. The Mission conducts extensive work in health care, disaster relief, rural management, tribal welfare, elementary and higher education. The movement is considered as one of the revitalisation movements of India. Amiya Sen writes that Vivekananda's "social service gospel" stemmed from direct inspiration from Ramakrishna and rests substantially on the "liminal quality" of the Master's message.[98]
Other organisations include the Ramakrishna Vedanta Society founded by Swami Abhedananda in 1923, the Ramakrishna Sarada Math founded by a rebel group in 1929, the Ramakrishna Vivekananda Mission formed by Swami Nityananda in 1976, and the Sri Sarada Math and Ramakrishna Sarada Mission founded in 1959 as a sister organisation by the Ramakrishna Math and Mission.[97]
Rabindranath Tagore wrote a poem on Ramakrishna, To the Ramakrishna Paramahamsa Ramakrishna Deva:[99]
Diverse courses of worship from varied springs of fulfillment have mingled in your meditation.
The manifold revelation of the joy of the Infinite has given form to a shrine of unity in your life
where from far and near arrive salutations to which I join my own.
During the 1937 Parliament of Religions, which was held at the Ramakrishna Mission in Calcutta, Tagore acknowledged Ramakrishna as a great saint because
...the largeness of his spirit could comprehend seemingly antagonistic modes of sadhana, and because the simplicity of his soul shames for all time the pomp and pedantry of pontiffs and pundits.[100]
Max Müller, Mahatma Gandhi, Jawaharlal Nehru, Sri Aurobindo, and Leo Tolstoy have acknowledged Ramakrishna's contribution to humanity. Ramakrishna's influence is also seen in the works of artists such as Franz Dvorak(1862–1927) and Philip Glass.

Views and studies

Photograph of Ramakrishna, taken on 10 December 1881 at the studio of "The Bengal Photographers" in Radhabazar, Calcutta (Kolkata).

Darśhana

Ramakrishna's darśhana, or religious practice and worldview, contained elements of bhakti, Tantra and Vedanta.

Bhakti and Tantra

Max Müller[note 3] portrayed Ramakrishna as
...a Bhakta, a worshipper or lover of the deity, much more than a Gñânin or a knower.[102][103]
Postcolonial literary theorist Gayatri Chakravorty Spivak wrote that Ramakrishna was a "Bengali bhakta visionary" and that as a bhakta, "he turned chiefly towards Kali."[104]
Indologist Heinrich Zimmer was the first Western scholar to interpret Ramakrishna's worship of the Divine Mother as containing specifically Tantric elements.[105][106] Neeval also argued that tantra played a main role in Ramakrishna's spiritual development.[105] Jeffrey J. Kripal argued that Ramakrishna rejected Advaita Vedanta in favour of Shakti Tantra.[107]

Transformation into neo-Vedantin

Vivekananda portrayed Ramakrishna as an Advaita Vedantin. Vivekananda's approach can be located in the historical background of Ramakrishna and Calcutta during the mid-19th century.[108] Neevel notes that the image of Ramakrishna underwent several transformations in the writings of his prominent admirers, who changed the 'religious madman' into a calm and well-behaving proponent of Advaita Vedanta.[39] Narasingha Sil has argued that Vivekananda revised and mythologised Ramakrishna's image after Ramakrishna's death.[109] McDaniel notes that the Ramakrishna Mission is biased towards Advaita Vedanta, and downplays the importance of Shaktism in Ramakrishna's spirirtuality.[110] Malcolm McLean argued that the Ramakrishna Movement presents "a particular kind of explanation of Ramakrishna, that he was some kind of neo-Vedantist who taught that all religions are the same."[111]
Carl Olson argued that in his presentation of his master, Vivekananda had hid much of Ramakrishna's embarrassing sexual oddities from the public, because he feared that Ramakrishna would be misunderstood.[112] Tyagananda and Vrajaprana argue that Oslon makes his "astonishing claim" based on Kripal's speculations in Kali's Child, which they argue are unsupported by any of the source texts.[113]
Sumit Sarkar argued that he found in the Kathamrita traces of a binary opposition between unlearned oral wisdom and learned literate knowledge. He argues that all of our information about Ramakrishna, a rustic near-illiterate Brahmin, comes from urban bhadralok devotees, "...whose texts simultaneously illuminate and transform."[114]
Amiya Prosad Sen criticises Neevel's analysis,[115] and writes that "it is really difficult to separate the Tantrik Ramakrishna from the Vedantic", since Vedanta and Tantra "may appear to be different in some respects", but they also "share some important postulates between them".[116]

Psychoanalysis

Romain Rolland and the "Oceanic feeling"

The dialogue on psychoanalysis and Ramakrishna began in 1927 when Sigmund Freud's friend Romain Rolland wrote to him that he should consider spiritual experiences, or "the oceanic feeling," in his psychological works.[117][118] Romain Rolland described the mystical states achieved by Ramakrishna and other mystics as an "'oceanic' sentiment", one which Rolland had also experienced.[119] Rolland believed that the universal human religious emotion resembled this "oceanic sense."[120] In his 1929 book La vie de Ramakrishna, Rolland distinguished between the feelings of unity and eternity which Ramakrishna experienced in his mystical states and Ramakrishna's interpretation of those feelings as the goddess Kali.[121]
In his 1991 book The Analyst and the Mystic, Indian psychoanalyst Sudhir Kakar saw in Ramakrishna's visions a spontaneous capacity for creative experiencing.[122] Kakar also argued that culturally relative concepts of eroticism and gender have contributed to the Western difficulty in comprehending Ramakrishna.[123] Kakar saw Ramakrishna's seemingly bizarre acts as part of a bhakti path to God