I am one of the lucky ones to have made multiple trips to
Kashmir in the last few years. With all the news of strife, terror and
hostility; needless to say I have experienced the best of Kashmiri
hospitality during my trips. We spent the buffer day during Amarnath
Yatra to explore in and around Pahalgam. In between the trips to
manicured Mughal Gardens and Apple Orchards we visited the lost Temples
of Kashmir which stand testimony to the rich cultural and architectural
heritage of the land which as per some accounts owes its name to Rishi
Kashyapa.
The walls of the temple have nearly destroyed carvings of Vishnu, Ganga, Yamuna and Surya (Martand Dev). Walking around, I tried to make the most of the defaced wall carvings. It was pretty apparent that the Kashmiri Architecture of those times evolved from a fusion of different genres right from the Guptas in India to Greek, Roman and Persian Architecture of the West.
The new temple located nearby dedicated to Sun is a peaceful abode, very calming but has little to offer architecturally. We spent some time by the temple tank feeding the fish and visiting the temple where Surya is riding his 7 horses signfying 7 days of the week or the 7 chakras (energy centres) of our body.
At first appearance this temple too had colonnaded peristyle as seen in Mattan temple which seems to be the prevalent Kashmir Architecture of those times. There seems to have been 4 shrines at the 4 corners of the quadrangle and what remains now is just a flight of wobbly steps in one of the corners.
The sculptured relief work and ornamentation on the temple walls are almost non existent. But for the avid history and culture buff like my co-traveler aunt; she found something of interest on every wall.
I went in search of the Vaikuntha Vishnu sculpture which was found in this temple. I tried to make the most of what was there, thought I spotted the one not sure of the accuracy though.
Martand Sun Temple in Mattan
Our driver was very excited to take us to Mattan and I heard it as Mutton leading to confusion. I was relieved once I reached the temple premises. The temple was majestic even in its ruined state, standing tall in the sprawling lawn taken care of by the Archaeological Survey of India. At first glance, the imposing structure struck a strong resemblance to Grecian Architecture. It was constructed by King Lalitaditya Muktapida of Karakota Dynasty in 8th Century CE and demolished sometime in the 15th century by Sikandar of Shah Miri dynasty. Infact most of the temples of Kashmir were completely or partially destroyed during this time period.The plan of the temple compound appeared to be symmetrical with a colonnaded courtyard. The primary shrine dedicated to Surya Dev (Sun God) was located on a raised platform surrounded by multiple smaller shrines. The once elaborately carved entrance portrayed reminiscences of a culturally rich society and carvings of the deities placed inside.The walls of the temple have nearly destroyed carvings of Vishnu, Ganga, Yamuna and Surya (Martand Dev). Walking around, I tried to make the most of the defaced wall carvings. It was pretty apparent that the Kashmiri Architecture of those times evolved from a fusion of different genres right from the Guptas in India to Greek, Roman and Persian Architecture of the West.
The new temple located nearby dedicated to Sun is a peaceful abode, very calming but has little to offer architecturally. We spent some time by the temple tank feeding the fish and visiting the temple where Surya is riding his 7 horses signfying 7 days of the week or the 7 chakras (energy centres) of our body.
Awantipora Temples
Awantipora Temples lie on the National Highway connecting Anantnag and Srinagar. The town is named after King Avantivarman who ruled the area in 9th century. There are two temples Avantishwar (dedicated to Shiva) and Avantiswami (dedicated to Vishnu) located close to each other. Both temples are similar in structure and appearance. As per our driver Avantiswami is in a better condition so we decided to stop at Avantiswami Temple and wave by Avantishwar.At first appearance this temple too had colonnaded peristyle as seen in Mattan temple which seems to be the prevalent Kashmir Architecture of those times. There seems to have been 4 shrines at the 4 corners of the quadrangle and what remains now is just a flight of wobbly steps in one of the corners.
The sculptured relief work and ornamentation on the temple walls are almost non existent. But for the avid history and culture buff like my co-traveler aunt; she found something of interest on every wall.
I went in search of the Vaikuntha Vishnu sculpture which was found in this temple. I tried to make the most of what was there, thought I spotted the one not sure of the accuracy though.
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