Wednesday, April 18, 2018

Parashurama


Parashurama
Parashurama (Sanskrit: परशुराम, IAST: Paraśurāma, lit. Rama with an axe) is the sixth avatar of Vishnu in Hinduism. He was a brahmakshatriya. Like other avatars of Vishnu, he appears at a time when overwhelming evil prevailed on earth. The warrior class, with weapons and power, had begun to abuse their power, take what belonged to others by force and tyrannize people. Parashurama corrects the cosmic equilibrium by destroying these evil warriors.
He is also referred to as Rama Jamadagnya , Rama Bhargava and Veerarama in some Hindu texts. Parashurama is worshipped as mool purush, or founder, of the Niyogi Bhumihar Brahmin, Chitpavan, Daivadnya, Mohyal, Tyagi, Anavil and Nambudiri Brahmin communities.
Origins
Parashurama is not found in Vedic literature, and the earliest mention of his character is found in the Ramayana. There he is represented as an accomplished warrior-sadhu, a sage and teacher of martial arts, but there is no mention of him being an avatar of Vishnu. He evolves into an avatar in the Puranas. According to Adalbert Gail, the word Parasurama is also missing in the Indian epics and Kalidasa's works, and appears for the first time in Indian literature around 500 CE. Before then, he is known by other names such as Rama Jamadagnya.
According to Hindu mythologies, Parashurama was the son of sage Jamadagni and his wife Renuka, living in a hut. They have a celestial cow called Surabhi which produces all they desire (such a cow is known as kamdhenu) . A king named Arjuna Kartavirya (not to be confused with Arjuna the Pandava) – learns about it and wants it. He asks Jamadagni to give it to him, but the sage refuses. While Parashurama is away from the hut, the king takes it by force. Parashurama learns about this crime, and is upset. With his axe in his hand, he challenges the king to battle. They fight, and Parushama kills the king, according to the Hindu mythology. The warrior class challenges him, and he kills all his challengers. The legend, states James Lochtefeld, likely has roots in the ancient conflict between the Brahmin caste with religious duties and the Kshatriya caste with warrior and enforcement role.
In some versions of the legend, after his martial exploits, Parashurama returns to his sage father with the Surabhi cow and tells him about the battles he had to fight. The sage does not congratulate Parashurama, but reprimands him stating that a Brahmin should never kill a king. He asks him to expiate his sin by going on pilgrimage. After Parashurama returns from pilgrimage, he is told that while was away, his father was killed by warriors seeking revenge. Parashurama again picks up his axe and kills many warriors in retaliation. In the end, he relinquishes his weapons and takes up Yoga.
In Kannada folklore, especially in devotional songs sung by the Devdasis he is often referred to as son of Yellamma
Parasurama legends are notable for their discussion of violence, the cycles of retaliations, the impulse of krodha (anger), the inappropriateness of krodha, and repentance. According to Madeleine Biardeau, Parasurama is a mythical character constructed in ancient Hindu thought as a fusion of contradictions, possibly to emphasize the ease with which those with military power tend to abuse it, and the moral issues in circumstances and one's actions, particularly violent ones. According to Biardeau, in the Parashurama legend:
The violent Brahmin is condemned, ultimately transformed (Jamadagni [his father] rids himself of anger and is slain without resisting; Rama [Parashurama] retires, his mind at peace, to his mountain refuge).
— Madeleine Biardeau
According to David Shulman, "Parashurama carries to a mythic extreme an enduring Brahmin conflict: on the one hand, restraint, purity, nonviolence, detachment; on the other, inherent power, and the recurring temptation to use it in the violent pursuit of an uncompromising vision". Indeed, states Shulman, the Parashurama myth implies that "the Brahmin can never be wholly free of violence, although it fails to specify its precise nature".
Family and Class
Puranas record that Lord Parashurama was born to the Brahman sage Jamadagni, and the Kshatriya princess Renuka, a member of the Kshatriya royal class. Thus, Lord Parshurama was a Brahma-Kshatriya (half Brahmin, and a half Kshatriya by birth) with due respect to gender equality. Moreover, Lord Prashurama seems to be Kshatriya by his Karma who tried creating a better world by force, and freeing it from corruption. Lord Prashurama is believed to be a 6th incarnation of Lord Vishnu, who was born to wipe out malpractices, and some evil Hindu people to improve Hindu society as a whole.




















Texts
He is generally presented as the fifth son of Renuka and rishi Jamadagni, states Thomas E Donaldson. The legends of Parashurama appear in many Hindu texts, in different versions:
In chapter 3.33 of the Mahabharata, he is the grandson of Satyavati, and the son of princess Renuka after she marries a Vedic scholar living in a forest.
In chapter 6 of the Devi Bhagavata Purana, he is born from the thigh with intense light surrounding him that blinds all warriors, who then repent their evil ways and promise to lead a moral life if their eyesight is restored. The boy grants them the boon
In chapter 4 of the Vishnu Purana, Rcika prepares a meal for two women, one simple, and another with ingredients that if eaten would cause the woman to conceive a son with martial powers. The later is accidentally eaten by Renuka, and she then gives birth to Parashurama.
In chapter 2 of the Vayu Purana, he is born after his mother Renuka eats a sacrificial offering made to both Rudra (Shiva) and Vishnu, which gives him dual characteristics of Kshatriya and Brahmin.
Parashurama is described in some versions of the Mahabharata as the angry Brahmin who with his axe, killed huge number of Kshatriya warriors because they were abusing their power. In other versions, he even kills his own mother because his father asks him to and claim she had committed a sin by having lustful thoughts after seeing a young couple frolicking in water. After Parasurama obeys his father's order to kill his mother, his father grants him a boon. Parasurama asks for the reward that his mother be brought back to life, and she is restored to life. Parasurama remains filled with sorrow after the violence, repents and expiates his sin.
He plays important roles in the Mahabharata serving as mentor to Bhishma (chapter 5.178), Drona (chapter 1.121) and Karna (chapter 3.286), teaching weapon arts and helping key warriors in both sides of the war.
In the Mahabharata, he is the teacher of warrior Karna. In the regional literature of Kerala, he is the founder of the land, the one who brought it out of the sea and settled a Hindu community there. He is also known as Rama Jamadagnya and Rama Bhargava in some Hindu texts. Parashurama retired in the Mahendra mountain, according to chapter 2.3.47 of the Bhagavata Purana. He is the only Vishnu avatar who never dies, never returns to abstract Vishnu and lives in meditative retirement. Further, he is the only Vishnu avatar that co-exists with other Vishnu avatars Rama and Krishna in some versions of the Ramayana and Mahabharata respectively.
Parashurama Kshetras
The regions of Konkan,coastal Karnataka and Kerala are considered as Parashurama Kshetra.
The ancient Saptakonkana is a slightly larger region described in the Sahyadrikhanda which refers to it as Parashuramakshetra (Sanskrit for "the area of Parashurama").
There is a Parshuram Kund, a Hindu pilgrimage centre in Lohit district of Arunachal Pradesh which is dedicated to the sage Parashurama.Thousands of pilgrims visit the place in winter every year, especially on the Makar Sankranti day for a holy dip in the sacred kund which is believed to wash away one's sins.





Iconography
The Hindu literature on iconography such as the Visnudharmottara Purana and Rupamandana describe him as a man with matted locks, with two hands, one carrying an axe. However, the Agni Purana portrays his iconography with four hands, carrying his axe, bow, arrow and sword. The Bhagavata Purana describes his icon as one four hands, carrying his axe, bow, arrows and a shield like a warrior. Though a warrior, his representation inside Hindu temples with him in war scenes is rare (the Basohli temple is one such exception). Typically, he is shown with two hands, with axe in his right hand either seated or standing.



 POSTED BY ; VIPUL KOUL 
EDITED BY ;   ASHOK KOUL 
SOURCES    ;  VALMAKI RAMAYAN, RAMCHARITMANAS AND WIKIPEDIA 

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