Phiran

The traditional outfit for both males and females in Kashmir is the pheran (or pheran) and poots.The pheran and poots consist of two gowns, one over the other. The traditional phiran and poots extends to the feet, which was popular up to the late 19th century C.E. However, a relatively modern variation of the phiran and poots extends to below the knees which is worn with a suthan inside (loose form of shalwar) similar to the styles worn in Afghanistan. It is optional to wear the suthan with a long phiran as traditionally lower garments are not worn with phirans. The traditional phiran and poots do not have side slits.
In summer, the phiran and poots are made of cotton, but in winter, the poots are made out of cotton and the phiran of wool, covering and protecting the body from the cold specially during snow. These dresses are used by the residents of the Kashmir valley and Kashmiris residing in Chenab Valley.
 

Elderly Kashmiri man with his grandson in traditional Pheran 
There is no consensus as to the origin of the word 'pheran'. However, it seems that the word is a corruption of the Persian word 'perahan' which means shirt. The outfit has been envogue in Kashmir since before the 15th century.

Head dress

Hindu females use a "taranga", a headdress which becomes smaller down at back, towards the heels. Islamic Kashmiri females use a red headwear known as the "kasaba". The kasaba is padded by means of a turban and is pinned together by brooches. A pin-scarf revoked from the kasaba descends towards the neck.

Phiran

The phiran is a loose upper garment loosely gathered at the sleeves which tend to be wide, made of either wool or jamewar which is a mixture of wool and cotton, with no side slits. A phiran made of wool is called a 'loch'. Female phiran dresses are designed with colorful flower elements and styles. Male phiran dresses are quite simple without any colourful designs.
The traditional phiran falls to the feet like a gown which was universally worn by the Hindu and Muslim communities into the later 19th century C.E.However, a modern version is knee-length and is worn by Muslim people which is loose and stitched at the front side and on the finishes while Hindu people wear their phirans long, extending down their legs. Ankle length Phirans are tied at the waist. Intricate embroideries or flower styles are a popular function of a Kashmiri ladies phiran. The embroideries or flower Styles are made of thin metal threads and this kind of embroidery is known as 'Tille' in Kashmiri language.

Pooch

The pooch is the same as the phiran but made of lighter material and is worn beneath the phiran. It is generally used to save the pheran from burns due to kangri. It also provides extra heat during winters, double layered protection, from the cold winter days.

Suthan/shalwar

Traditionally, the phiran and poots were worn without a lower garment.deed, in neighbouring Hunza too, women did not wear pajamas until 1890 and in Nagar until 1925. Since the latter part of the 19th century, loose suthans (shalwars) and churidar pajamas of the Punjab region became popular in Kashmir. Accordingly, the suthan or churidar pajama can form part of the phiran and poots ensemble but is not a must. The Kashmiri suthan is baggy and loose and is similar to the Dogri suthan worn in the Jammu region. Some versions are similar to the shalwars worn in Afghanistan. However, since the 1960s, the straight cut Punjabi salwar has become popular.

Modern fashion

Modern trends saw a decline in the use of phirans in favour of the shalwar kamee^z However, there has been a revival in recent years as phirans have become part of modern fashion, and are worn by females of other areas of India as well. Kashmiri men are also wearing the phiran as a fashionable outfit. Combined with jeans, the phiran has made its way into the office world.^[27] The modern phiran is not as wide and long as the traditional ankle or knee length versions and sometimes have side slits. Less men are wearing the phiran with a shalwar.

POSTED BY  : VIPUL KOUL
SOURCES     : WIKIPEDIA