Tulsidas (Hindi: तुलसीदास; Hindi pronunciation: [t̪ʊls̪iːd̪aːs̪], also known as Goswami Tulsidas (गोस्वामी तुलसीदास); 1532–1623) was a Hindu Vaishnava saint and poet, often called reformer and philosopher from Ramanandi Sampradaya, in the lineage of Jagadguru Ramanandacharya renowned for his devotion to the Lord Shri Rama.
Tulsidas wrote several popular works in Sanskrit and Awadhi; he is best known as the author of the epic Ramcharitmanas, a retelling of the Sanskrit Ramayana based on Rama's life in the vernacular Awadhi dialect of Hindi. The Bhavishya Purana also predicts the incarnation of Shri Valmiki as Goswami Tulsidas in the Kaliyuga, in its verse and also explained in detail by H.G Shriman Chandra Govind Das of the Iskcon Temple.
Tulsidas spent most of his life in the city of Varanasi.The Tulsi Ghat on the Ganges River in Varanasi is named after him. He founded the Sankatmochan Temple dedicated to Hanuman ji in Varanasi, believed to stand at the place where he had the sight of Hanuman ji. Tulsidas started the Ramlila plays, a folk-theatre adaption of the Ramayana.
He has been acclaimed as one of the greatest poets in Hindi, Indian, and world literature. The impact of Tulsidas and his works on the art, culture and society in India is widespread and is seen to date in vernacular language, Ramlila plays, Hindustani classical music, popular music, and television series
Tulsidas himself has given only a few facts and hints about events of
his life in various works. Till late nineteenth century, the two widely
known ancient sources on Tulsidas' life were the Bhaktamal composed by Nabhadas between 1583 and 1639, and a commentary on Bhaktamal titled Bhaktirasbodhini composed by Priyadas in 1712.
Nabhadas was a contemporary of Tulsidas and wrote a six-line stanza on
Tulsidas describing him as an incarnation of Valmiki. Priyadas' work was
composed around a hundred years after the death of Tulsidas and had
eleven additional stanzas, describing seven miracles or spiritual
experiences from the life of Tulsidas. During the 1920s, two more ancient biographies of Tulsidas were published based on old manuscripts – the Mula Gosain Charit composed by Veni Madhav Das in 1630 and the Gosain Charit composed by Dasanidas (also known as Bhavanidas) around 1770.
Veni Madhav Das was a disciple and contemporary of Tulsidas and his
work gave a new date for Tulsidas' birth. The work by Bhavanidas
presented more narratives in greater detail as compared to the work by
Priyadas. In the 1950s a fifth ancient account was published based on an
old manuscript, the Gautam Chandrika composed by Krishnadatta Misra of Varanasi in 1624.
Krishnadatta Misra's father was a close companion of Tulsidas. The
accounts published later are not considered authentic by some modern
scholars, whereas some other scholars have been unwilling to dismiss
them. Together, these five works form a set of traditional biographies
on which modern biographies of Tulsidas are based.
According to a traditional account, Hanuman went to Valmiki numerous times to hear him sing the Ramayana, but Valmiki turned down the request saying that Hanuman being a monkey was unworthy of hearing the epic. After the victory of Rama over Ravana, Hanuman went to the Himalayas to continue his worship of Rama. There he scripted a play version of the Ramayana called Mahanataka or Hanuman Nataka engraved on the Himalayan rocks using his nails. When Valmiki saw the play written by Hanuman, he anticipated that the beauty of the Mahanataka would eclipse his own Ramayana. Hanuman was saddened at Valmiki's state of mind and, being a true bhakta without any desire for glory, Hanuman cast all the rocks into the ocean, some parts of which are believed to be available today as Hanuman Nataka. After this, Valmiki was instructed by Hanuman to take birth as Tulsidas and compose the Ramayana in the vernacular.
There is difference of opinion among biographers regarding the year of birth of Tulsidas. Many sources rely on Veni Madhav Das' account in the Mula Gosain Charita, which gives the year of Tulsidas' birth as Vikrami Samvat 1554 (1497 CE). These sources include Shivlal Pathak, popular editions of Ramcharitmanas (Gita Press, Naval Kishore Press and Venkateshvar Press), Edwin Greaves, Hanuman Prasad Poddar, Ramanand Sarasvati, Ayodhyanath Sharma, Ramchandra Shukla, Narayandas, and Rambhadracharya. A second group of biographers led by Sant Tulsi Sahib of Hathras and Sir George Grierson give the year as Vikram 1589 (1532 CE).[1][32] These biographers include Ramkrishna Gopal Bhandarkar, Ramghulam Dwivedi, James Lochtefeld, Swami Sivananda and others.[1][29][31] A third small group of authors which includes H. H. Wilson, Garse De Tasse and Krishnadatta Mishra gives the year as Vikram 1600 (1543 CE). The year 1497 appears in many current-day biographies in India and in popular culture. Biographers who disagree with this year argue that it makes the life span of Tulsidas equal 126 years, which in their opinion is unlikely if not impossible. In contrast, Ramchandra Shukla says that an age of 126 is not impossible for a Mahatma (great soul) like Tulsidas. The Government of India and provincial governments celebrated the 500th birth anniversary of Tulsidas in the year 2011 CE, according to the year of Tulsidas' birth in popular culture.
Chuniya took the child to her village of Haripur and looked after him for five and a half years after which she died.Rambola was left to fend for himself as an impoverished orphan, and wandered from door to door begging for alms.It is believed that the goddess Parvati assumed the form of a Brahmin woman and fed Rambola every day.
Tulsidas later came to the sacred city of Varanasi and studied Sanskrit grammar, four Vedas, six Vedangas, Jyotisha and the six schools of Hindu philosophy over a period of 15–16 years from guru Shesha Sanatana who was based at the Pancaganga Ghat in Varanasi. Shesha Sanatana was a friend of Narharidas and a renowned scholar on literature and philosophy.
Some authors consider the marriage episode of Tulsidas to be a later interpolation and maintain that he was a bachelor.They include Rambhadracharya, who interprets two verses in the Vinayapatrika and Hanuman Bahuka to mean that Tulsidas never married and was a Sadhu from childhood.
That evening Tulsidas noted that the first listener to arrive at his discourse was an old leper, who sat at the end of the gathering. After the Katha was over, Tulsidas quietly followed the leper to the woods. In the woods, at the spot where the Sankat Mochan Temple stands today, Tulsidas firmly fell at the leper's feet, shouting "I know who you are" and "You cannot escape me". At first the leper feigned ignorance but Tulsidas did not relent. Then the leper revealed his original form of Hanuman and blessed Tulsidas. When granted a boon, Tulsidas told Hanuman he wanted to see Rama face to face. Hanuman told him to go to Chitrakuta where he would see Rama with his own eyes.
At the beginning of the Ramcharitmanas, Tulsidas bows down to a particular Preta and asks for his grace (Ramcharitmanas, Doha 1.7). According to Rambhadracharya, this is the same Preta which led Tulsidas to Hanuman.
In a verse in the Vinayapatrika, Tulsidas alludes to a certain "miracle at Chitrakuta", and thanks Rama for what he did for him at Chitrakuta. Some biographers conclude that the deed of Rama at Chitrakuta referred to by Tulsidas is the Darshan of Rama.
Most stories about Tulsidas tend to be apocryphal, and have been
carried forward by word of mouth. None of them were related by Tulsi
himself, thus making it difficult to separate fact from lore and
fiction. In Priyadas' biography, Tulsidas is attributed with the power
of working miracles. In one such miracle, he is believed to have brought back a dead Brahmin to life. While the Brahmin was being taken for cremation, his widow bowed down to Tulsidas on the way who addressed her as Saubhagyavati (a woman whose husband is alive). The widow told Tulsidas her husband had just died, so his words could not be true.ulsidas said that the word has passed his lips and so he would restore
the dead man to life. He asked everybody present to close their eyes
and uttered the name of lord Rama, on doing which the dead Brahmin was raised back to life.
Tulsidas was acclaimed in his lifetime to be a reincarnation of Valmiki, the composer of the original Ramayana in Sanskrit.He is also considered to be the composer of the Hanuman Chalisa, a popular devotional hymn dedicated to Hanuman,the monkey god and divine devotee of lord Rama.
In another miracle described by Priyadas, the emperor of Delhi, Akbar summoned Tulsidas on hearing of his bringing back a dead man to life. Tulsidas declined to go as he was too engrossed in creating his verses but he was later forcibly brought before the Akbar and was asked to perform a miracle, which Tulsidas declined by saying "It's a lie, all I know is Rama." The emperor imprisoned Tulsidas at Fatehpur Sikri, "We will see this Rama." Tulsidas refused to bow to Akbar and created a verse in praise of Hanuman and chanted it (Hanuman Chalisa) for forty days and suddenly an army of monkeys descended upon the town and wreaked havoc in all corners of Fatehpur Sikri entering each home and the emperor's harem, scratching people and throwing bricks from ramparts.[65] An old Hafiz told the emperor that this was the miracle of the imprisoned Fakir.[64] The emperor fell at Tulsidas' feet, released him and apologised.[61] Tulsidas stopped the menace of monkeys and asked the emperor to abandon the place. The emperor agreed and moved back to Delhi.[58][59][64][65] Ever since Akbar became a close friend of Tulsidas and he also ordered a firman that followers of lord Rama, lord Hanuman & other Hindus, should not be harassed in his kingdom.[68]
Priyadas narrates a miracle of Tulsidas at Vrindavan, when he visited a temple of Krishna.[61][69] When he began bowing down to the idol of Krishna, the Mahant of the temple named Parshuram decided to test Tulsidas. He told Tulsidas that he who bows down to any deity except their Ishta Devata (cherished form of divinity) is a fool, as Tulsidas' Ishta Devata was Rama.[69][70] In response, Tulsidas recited the following extemporaneously composed couplet[61][69][70]
Tulsidas started composing poetry in Sanskrit in Varanasi on the
Prahlada Ghat. Tradition holds that all the verses that he composed
during the day, would get lost in the night. This happened daily for
eight days. On the eighth night, Shiva – whose famous Kashi Vishwanath Temple
is located in Varanasi – is believed to have ordered Tulsidas in a
dream to compose poetry in the vernacular instead of Sanskrit. Tulsidas
woke up and saw both Shiva and Parvati who blessed him. Shiva ordered
Tulsidas to go to Ayodhya and compose poetry in Awadhi. Shiva also
predicted that Tulsidas' poetry would fructify like the Sama Veda. In the Ramcharitmanas, Tulsidas hints at having the Darshan of Shiva and Parvati in both dream and awakened state.
Tulsidas is also credited with having composed a number of wise sayings and dohas containing lessons for life. A popular one among them is:
Tulsidas came to Varanasi and recited the Ramcharitmanas to Shiva (Vishwanath) and Parvati (Annapurna) at the Kashi Vishwanath Temple. A popular legend goes that the Brahmins of Varanasi, who were critical of Tulsidas for having rendered the Sanskrit Ramayana in the Awadhi, decided to test the worth of the work. A manuscript of the Ramcharitmanas was kept at the bottom of pile of Sanskrit scriptures in the sanctum sanctorum of the Vishvanath temple in the night, and the doors of the sanctum sanctorum were locked. In the morning when the doors were opened, the Ramcharitmanas was found at the top of the pile. The words Satyam Shivam Sundaram (Sanskrit: सत्यं शिवं सुन्दरम्, literally "truth, auspiciousness, beauty") were inscribed on the manuscript with the signature of Shiva. The words were also heard by the people present.
Per traditional accounts, some Brahmins of Varanasi were still not satisfied, and sent two thieves to steal the manuscript. The thieves tried to break into the Ashram of Tulsidas, but were confronted by two guards with bows and arrows, of dark and fair complexion. The thieves had a change of heart and came to Tulsidas in the morning to ask who the two guards were. Believing that the two guards could be none other than Rama and Lakshmana, Tulsidas was aggrieved to know that they were guarding his home at night. He sent the manuscript of Ramcahritmanas to his friend Rai Todar Mal, the finance minister of Akbar, and donated all his money.The thieves were reformed and became devotees of Rama.
The Vinaypatrika is considered as the last compositions of Tulsidas, believed to be written when Kali Yuga started troubling him.In this work of 279 stanzas, he beseeches Rama to give him Bhakti ("devotion"), and to accept his petition. Tulsidas attests in the last stanza of Vinaypatrika that Rama himself signed the manuscript of the work. The 45th stanza of the Vinaypatrika is sung as the evening Aarti by many Hindus.
Twelve works are widely considered by biographers to be written by Tulsidas, six major works and six minor works. Based on the language of the works, they have been classified into two groups as follows–
Several manuscripts of the Ramcharitmanas are claimed to have been written down by Tulsidas himself. Grierson wrote in the late nineteenth century, two copies of the epic were said to have existed in the poet's own handwriting. One manuscript was kept at Rajapur, of which only the Ayodhyakand is left now, which bears marks of water. A legend goes that the manuscript was stolen and thrown into Yamuna river when the thief was being pursued, and only the second book of the epic could be rescued.[] Grierson wrote that the other copy was at Malihabad in Lucknow district, of which only one leaf was missing.Another manuscript of the Ayodhyakanda claimed to be in the poet's own hand exists at Soron in Etah district, one of the places claimed to be Tulsidas' birthplace. One manuscript of Balakanda, dated Samvat 1661, nineteen years before the poet's death, claimed to be corrected by Tulsidas, is at Ayodhya. Some other ancient manuscripts are found in Varanasi, including one in possession of the Maharaja of Benares that was written in Vikram 1704 (1647), twenty-four years after the death of Tulsidas.
POSTED BY.............; VIPUL KOUL
Tulsidas wrote several popular works in Sanskrit and Awadhi; he is best known as the author of the epic Ramcharitmanas, a retelling of the Sanskrit Ramayana based on Rama's life in the vernacular Awadhi dialect of Hindi. The Bhavishya Purana also predicts the incarnation of Shri Valmiki as Goswami Tulsidas in the Kaliyuga, in its verse and also explained in detail by H.G Shriman Chandra Govind Das of the Iskcon Temple.
Tulsidas spent most of his life in the city of Varanasi.The Tulsi Ghat on the Ganges River in Varanasi is named after him. He founded the Sankatmochan Temple dedicated to Hanuman ji in Varanasi, believed to stand at the place where he had the sight of Hanuman ji. Tulsidas started the Ramlila plays, a folk-theatre adaption of the Ramayana.
He has been acclaimed as one of the greatest poets in Hindi, Indian, and world literature. The impact of Tulsidas and his works on the art, culture and society in India is widespread and is seen to date in vernacular language, Ramlila plays, Hindustani classical music, popular music, and television series
| Goswami Tulsidas (गोस्वामी तुलसीदास) | |
|---|---|
| |
| Personal | |
| Born | Rambola 1532, As many as three places are mentioned as his birthplace, most scholars identify the place with Soron, a city of Kasganj district, Uttar Pradesh. |
| Died | 1623 Assi Ghat, Varanasi, Awadh Subah, Mughal Empire (present-day Uttar Pradesh, India) |
| Religion | Hinduism |
| Sect | Vaishnavism |
| Philosophy | Ramanandi Sampradaya |
| Religious career | |
| Guru | Naraharidāsa |
| Literary works | Ramcharitmanas, Vinaya Patrika, Geetawali, Dohavali, Sahitya Ratna, Hanuman Chalisa, Vairagya Sandipani, Janaki Mangal, Parvati Mangal, and others |
| Honors | Gosvāmī, Sant, Abhinavavālmīki, Bhaktaśiromaṇi |
| Language | Awadhi dialect of Hindi |
Transliteration and etymology
The Sanskrit name of Tulsidas can be transliterated in two ways. Using the original Sanskrit, the name is written as Tulasīdāsa. Using the Hunterian transliteration system, it is written as Tulsidas or Tulsīdās reflecting the vernacular pronunciation (since the written Indian languages maintain the vestigial letters that are no longer pronounced). The lost vowels are an aspect of the Schwa deletion in Indo-Aryan languages and can vary between regions. The name is a compound of two Sanskrit words: Tulasī, which is an Indian variety of the basil plant considered auspicious by Vaishnavas (devotees of god Vishnu and his avatars like Rama), and Dāsa, which means slave or servant and by extension, devotee.Tulsidas, which means a servant of the plant Tulsi.Sources
Picture of Tulsidas published in the Ramcharitmanas, by Sri Ganga Publishers, Gai Ghat, Benaras, 1949
Incarnation of Valmiki
He is believed by many to be a reincarnation of Valmiki. In the Hindu scripture Bhavishyottar Purana, the god Shiva tells his wife Parvati how Valmiki, who got a boon from Hanuman to sing the glory of Rama in vernacular language, will incarnate in future in the Kali Yuga (the present and last Yuga or epoch within a cycle of four Yugas).Nabhadas writes in his Bhaktamal (literally, the Garland of bhakt or devotee) that Tulsidas was the re-incarnation of Valmiki in the Kali Yuga. The Ramanandi sect believes that it was Valmiki himself who incarnated as Tulsidas in the Kali Yuga.
Devanagari IAST वाल्मीकिस्तुलसीदासः कलौ देवि भविष्यति । vālmīkistulasīdāsaḥ kalau devi bhaviṣyati । रामचन्द्रकथामेतां भाषाबद्धां करिष्यति ॥ rāmacandrakathāmetāṃ bhāṣābaddhāṃ kariṣyati ॥
“ O Goddess [Parvati]! Valmiki will become Tulsidas in the Kali age, and will compose this narrative of Rama in the vernacular language. Bhavishyottar Purana, Pratisarga Parva, 4.20. ”
According to a traditional account, Hanuman went to Valmiki numerous times to hear him sing the Ramayana, but Valmiki turned down the request saying that Hanuman being a monkey was unworthy of hearing the epic. After the victory of Rama over Ravana, Hanuman went to the Himalayas to continue his worship of Rama. There he scripted a play version of the Ramayana called Mahanataka or Hanuman Nataka engraved on the Himalayan rocks using his nails. When Valmiki saw the play written by Hanuman, he anticipated that the beauty of the Mahanataka would eclipse his own Ramayana. Hanuman was saddened at Valmiki's state of mind and, being a true bhakta without any desire for glory, Hanuman cast all the rocks into the ocean, some parts of which are believed to be available today as Hanuman Nataka. After this, Valmiki was instructed by Hanuman to take birth as Tulsidas and compose the Ramayana in the vernacular.
Early life
Birthplace, Tulsidas, Ramcharitmanas
Birth
Tulsidas was born on saptami, the seventh day of shukla paksha, the bright half of the lunar Hindu calendar month Shraavana (July–August). Although as many as seven places are mentioned as his birthplace, most scholars identify the place with Sookar Kshetra Soron, District Kasganj in Uttar Pradesh, a village on the banks of the river Ganga. In 2012 Sukarkhet Soron was declared officially by the government of Uttar Pradesh as the birthplace of Tulsi Das. His parents were Hulsi and Atmaram Dubey. Most sources identify him as a Saryupareen Brahmin of the Parashar Gotra (lineage), although some sources claim he was a Kanyakubja or Sanadhya Brahmin.There is difference of opinion among biographers regarding the year of birth of Tulsidas. Many sources rely on Veni Madhav Das' account in the Mula Gosain Charita, which gives the year of Tulsidas' birth as Vikrami Samvat 1554 (1497 CE). These sources include Shivlal Pathak, popular editions of Ramcharitmanas (Gita Press, Naval Kishore Press and Venkateshvar Press), Edwin Greaves, Hanuman Prasad Poddar, Ramanand Sarasvati, Ayodhyanath Sharma, Ramchandra Shukla, Narayandas, and Rambhadracharya. A second group of biographers led by Sant Tulsi Sahib of Hathras and Sir George Grierson give the year as Vikram 1589 (1532 CE).[1][32] These biographers include Ramkrishna Gopal Bhandarkar, Ramghulam Dwivedi, James Lochtefeld, Swami Sivananda and others.[1][29][31] A third small group of authors which includes H. H. Wilson, Garse De Tasse and Krishnadatta Mishra gives the year as Vikram 1600 (1543 CE). The year 1497 appears in many current-day biographies in India and in popular culture. Biographers who disagree with this year argue that it makes the life span of Tulsidas equal 126 years, which in their opinion is unlikely if not impossible. In contrast, Ramchandra Shukla says that an age of 126 is not impossible for a Mahatma (great soul) like Tulsidas. The Government of India and provincial governments celebrated the 500th birth anniversary of Tulsidas in the year 2011 CE, according to the year of Tulsidas' birth in popular culture.
Childhood
Legend goes that Tulsidas was born after staying in the womb for twelve months, he had all thirty two teeth in his mouth at birth, his health and looks were like that of a five-year-old boy, and he did not cry at the time of his birth but uttered Rama instead. He was therefore named Rambola (literally, he who uttered Rama), as Tulsidas himself states in Vinaya Patrika. As per the Mula Gosain Charita, he was born under the Abhuktamūla constellation, which according to Jyotisha (Hindu astrology) causes immediate danger to the life of the father. Due to the inauspicious events at the time of his birth, he was abandoned by his parents on the fourth night, sent away with Chuniya (some sources call her Muniya), a female servant of Hulsi. In his works Kavitavali and Vinayapatrika, Tulsidas attests to his parents abandoning him after birth due to an inauspicious astrological configuration.Chuniya took the child to her village of Haripur and looked after him for five and a half years after which she died.Rambola was left to fend for himself as an impoverished orphan, and wandered from door to door begging for alms.It is believed that the goddess Parvati assumed the form of a Brahmin woman and fed Rambola every day.
Initiation from guru and learning
At the age of five years, Rambola was adopted by Narharidas, a Vaishnava ascetic of Ramananda's monastic order who is believed to be the fourth disciple of Ramananda,or alternately, the disciple of Anantacharya.Rambola was given the Virakta Diksha (Vairagi initiation) with the new name of Tulsidas.Tulsidas narrates the dialogue that took place during the first meeting with his guru in a passage in the Vinayapatrika. When he was seven years old, his Upanayana ("sacred thread ceremony") was performed by Narharidas on the fifth day of the bright half of the month of Magha (January–February) at Ayodhya, a pilgrimage-site related to Rama. Tulsidas started his learning at Ayodhya. After some time, Narharidas took him to a particular Varaha Kshetra Soron (a holy place with temple dedicated to Varaha – the boar avatar of Vishnu), where he first narrated the Ramayana to Tulsidas. Tulsidas mentions this in the Ramcharitmanas.Most authors identify the Varaha Kshetra referred to by Tulsidas with the Sookarkshetra is the Soron Varaha Kshetra in modern-day Kasganj, Tulsidas further mentions in the Ramcharitmanas that his guru repeatedly narrated the Ramayana to him, which led him to understand it somewhat.
Devanagari IAST मैं पुनि निज गुर सन सुनी कथा सो सूकरखेत । maı̐ puni nija gura sana sunī kathā so sūkarakheta । समुझी नहिं तस बालपन तब अति रहेउँ अचेत ॥ samujhī nahi̐ tasa bālapana taba ati raheu̐ aceta ॥
“ And then, I heard the same narrative from my Guru in a Sukarkhet (Varaha Kshetra) Soron. I did not understand it then, since I was totally without cognition in childhood. Ramcharitmanas 1.30 (ka). ”
Tulsidas later came to the sacred city of Varanasi and studied Sanskrit grammar, four Vedas, six Vedangas, Jyotisha and the six schools of Hindu philosophy over a period of 15–16 years from guru Shesha Sanatana who was based at the Pancaganga Ghat in Varanasi. Shesha Sanatana was a friend of Narharidas and a renowned scholar on literature and philosophy.
Marriage and renunciation
There are two contrasting views regarding the marital status of Tulsidas. According to the Mula Gosain Charita and some other works, Tulsidas was married to Ratnavali on the thirteenth day of the bright half of the Jyeshta month (May–June) in Vikram 1583 (1526 CE). Ratnavali was the daughter of Dinbandhu Pathak, a Brahmin of the Bharadwaja Gotra, who belonged to Mahewa village of Kaushambi district. They had a son named Tarak who died as a toddler.Once when Tulsidas had gone to a Hanuman temple, Ratnavali went to her father's home with her brother. When Tulsidas came to know this, he swam across the Yamuna river in the night to meet his wife. Ratnavali chided Tulsidas for this, and remarked that if Tulsidas was even half as devoted to God as he was to her body of flesh and blood, he would have been redeemed. Tulsidas left her instantly and left for the holy city of Prayag. Here, he renounced the Grihastha (householder's life) stage and became a Sadhu (Hindu asceticSome authors consider the marriage episode of Tulsidas to be a later interpolation and maintain that he was a bachelor.They include Rambhadracharya, who interprets two verses in the Vinayapatrika and Hanuman Bahuka to mean that Tulsidas never married and was a Sadhu from childhood.
Later life
Tulsidas'
patron deity Rama (centre) with wife Sita to his left and brother
Lakshamana to the right, while Hanuman bows to his Lord
Travels
After renunciation, Tulsidas spent most of his time at Varanasi, Prayag, Ayodhya, and Chitrakuta but visited many other nearby and far-off places. He travelled across India to many places, studying different people, meeting saints and Sadhus and meditating.The Mula Gosain Charita gives an account of his travels to the four pilgrimages of Hindus (Badrinath, Dwarka, Puri and Rameshwaram) and the Himalayas. He visited the Manasarovar lake in current-day Tibet, where tradition holds he had Darshan (sight) of Kakabhushundi,the crow who is one of the four narrators in the Ramcharitmanas.Darshan of Hanuman
Tulsidas hints at several places in his works, that he had met face to face with Hanuman and Rama The detailed account of his meetings with Hanuman and Rama are given in the Bhaktirasbodhini of Priyadas. According to Priyadas' account, Tulsidas used to visit the woods outside Varanasi for his morning ablutions with a water pot. On his return to the city, he used to offer the remaining water to a certain tree. This quenched the thirst of a Preta (a type of ghost believed to be ever thirsty for water), who appeared to Tulsidas and offered him a boon.Tulsidas said he wished to see Rama with his eyes, to which the Preta responded that it was beyond him. However, the Preta said that he could guide Tulsidas to Hanuman, who could grant the boon Tulsidas asked for. The Preta told Tulsidas that Hanuman comes everyday disguised in the mean attire of a leper to listen to his Katha, he is the first to arrive and last to leave.That evening Tulsidas noted that the first listener to arrive at his discourse was an old leper, who sat at the end of the gathering. After the Katha was over, Tulsidas quietly followed the leper to the woods. In the woods, at the spot where the Sankat Mochan Temple stands today, Tulsidas firmly fell at the leper's feet, shouting "I know who you are" and "You cannot escape me". At first the leper feigned ignorance but Tulsidas did not relent. Then the leper revealed his original form of Hanuman and blessed Tulsidas. When granted a boon, Tulsidas told Hanuman he wanted to see Rama face to face. Hanuman told him to go to Chitrakuta where he would see Rama with his own eyes.
At the beginning of the Ramcharitmanas, Tulsidas bows down to a particular Preta and asks for his grace (Ramcharitmanas, Doha 1.7). According to Rambhadracharya, this is the same Preta which led Tulsidas to Hanuman.
Darshan of Rama
As per Priyadas' account, Tulsidas followed the instruction of Hanumana and started living in an Ashram at Ramghat in Chitrakuta. One day Tulsidas went to perform the Parikrama (circumambulation) of the Kamadgiri mountain. He saw two princes, one dark and the other fair, dressed in green robes pass by mounted on horsebacks. Tulsidas was enraptured at the sight, however he could not recognise them and took his eyes off them. Later Hanuman asked Tulsidas if he saw Rama and his brother Lakshmana on horses. Tulsidas was disappointed and repentful. Hanuman assured Tulsidas that he would have the sight of Rama once again the next morning.Tulsidas recalls this incident in a song of the Gitavali and laments how "his eyes turned his own enemies" by staying fixed to the ground and how everything happened in a trice.On the next morning, Wednesday, the new-moon day of Magha, Vikram 1607 (1551 CE) or 1620 (1564 CE) as per some sources, Rama again appeared to Tulsidas, this time as a child. Tulsidas was making sandalwood paste when a child came and asked for a sandalwood Tilaka (a religious mark on the forehead). This time Hanuman gave a hint to Tulsidas and he had a full view of Rama. Tulsidas was so charmed that he forgot about the sandalwood. Rama took the sandalwood paste and put a Tilaka himself on his forehead and Tulsidas' forehead before disappearing.In a verse in the Vinayapatrika, Tulsidas alludes to a certain "miracle at Chitrakuta", and thanks Rama for what he did for him at Chitrakuta. Some biographers conclude that the deed of Rama at Chitrakuta referred to by Tulsidas is the Darshan of Rama.
In Vikram 1628 (1572 CE), Tulsidas left Chitrakuta for Prayag where he stayed during the Magha Mela (the annual fair in January). Six days after the Mela ended, he had the Darshan of the sages Yajnavalkya and Bharadvaja under a banyan tree. In one of the four dialogues in the Ramcharitmanas, Yajnavalkya is the speaker and Bharadvaja the listener.Tulsidas describes the meeting between Yajnavalkya and Bharadvaja after a Magha Mela festival in the Ramcharitmanas, it is this meeting where Yajnavalkya narrates the Ramcharitmanas to Bharadvaja.
Attributed miracles
A Mughal prince visits Tulsidas. Early 18th century Sisodia dynasty painting from Udaipur, Mewar.
Tulsidas was acclaimed in his lifetime to be a reincarnation of Valmiki, the composer of the original Ramayana in Sanskrit.He is also considered to be the composer of the Hanuman Chalisa, a popular devotional hymn dedicated to Hanuman,the monkey god and divine devotee of lord Rama.
In another miracle described by Priyadas, the emperor of Delhi, Akbar summoned Tulsidas on hearing of his bringing back a dead man to life. Tulsidas declined to go as he was too engrossed in creating his verses but he was later forcibly brought before the Akbar and was asked to perform a miracle, which Tulsidas declined by saying "It's a lie, all I know is Rama." The emperor imprisoned Tulsidas at Fatehpur Sikri, "We will see this Rama." Tulsidas refused to bow to Akbar and created a verse in praise of Hanuman and chanted it (Hanuman Chalisa) for forty days and suddenly an army of monkeys descended upon the town and wreaked havoc in all corners of Fatehpur Sikri entering each home and the emperor's harem, scratching people and throwing bricks from ramparts.[65] An old Hafiz told the emperor that this was the miracle of the imprisoned Fakir.[64] The emperor fell at Tulsidas' feet, released him and apologised.[61] Tulsidas stopped the menace of monkeys and asked the emperor to abandon the place. The emperor agreed and moved back to Delhi.[58][59][64][65] Ever since Akbar became a close friend of Tulsidas and he also ordered a firman that followers of lord Rama, lord Hanuman & other Hindus, should not be harassed in his kingdom.[68]
Priyadas narrates a miracle of Tulsidas at Vrindavan, when he visited a temple of Krishna.[61][69] When he began bowing down to the idol of Krishna, the Mahant of the temple named Parshuram decided to test Tulsidas. He told Tulsidas that he who bows down to any deity except their Ishta Devata (cherished form of divinity) is a fool, as Tulsidas' Ishta Devata was Rama.[69][70] In response, Tulsidas recited the following extemporaneously composed couplet[61][69][70]
When Tulsidas recited this couplet, the idol of Krishna holding the flute and stick in hands changed to the idol of Rama holding the bow and arrow in hands. Some authors have expressed doubts on the couplet being composed by Tulsidas.
Devanagari IAST काह कहौं छबि आजुकि भले बने हो नाथ । kāha kahau̐ chabi ājuki bhale bane ho nātha । तुलसी मस्तक तब नवै धरो धनुष शर हाथ ॥ tulasī mastaka taba navai dharo dhanuṣa śara hātha ॥
“ O Lord, how shall I describe today's splendour, for you appear auspicious. Tulsidas will bow down his head when you take the bow and the arrow in your hands. ”
Literary life
Tulsidas is also credited with having composed a number of wise sayings and dohas containing lessons for life. A popular one among them is:
आवत ही हरसय नहीं , नैनन नहीं सनोह । तुलसी वहाँ न जाइये, चाहे कञ्चन बरसे मेर ॥(Aawat hi harshe nahin, nainan nahin saneh. Tulsi tahan na jaiye, chahe kanchan barse megh. Lit. A place where people are not happy or welcoming when you come, where their eyes have no affection for you, Don't go there, even if a mountain of gold is showered.)
Composition of Ramcharitmanas
In the year Vikram 1631 (1575 CE), Tulsidas started composing the Ramcharitmanas in Ayodhya on Tuesday, Ramnavami day (ninth day of the bright half of the Chaitra month, which is the birthday of Rama). Tulsidas himself attests this date in the Ramcharitmanas.[73] He composed the epic over two years, seven months and twenty-six days, and completed the work in Vikram 1633 (1577 CE) on the Vivaha Panchami day (fifth day of the bright half of the Margashirsha month, which commenrates the wedding of Rama and his wife Sita).Tulsidas came to Varanasi and recited the Ramcharitmanas to Shiva (Vishwanath) and Parvati (Annapurna) at the Kashi Vishwanath Temple. A popular legend goes that the Brahmins of Varanasi, who were critical of Tulsidas for having rendered the Sanskrit Ramayana in the Awadhi, decided to test the worth of the work. A manuscript of the Ramcharitmanas was kept at the bottom of pile of Sanskrit scriptures in the sanctum sanctorum of the Vishvanath temple in the night, and the doors of the sanctum sanctorum were locked. In the morning when the doors were opened, the Ramcharitmanas was found at the top of the pile. The words Satyam Shivam Sundaram (Sanskrit: सत्यं शिवं सुन्दरम्, literally "truth, auspiciousness, beauty") were inscribed on the manuscript with the signature of Shiva. The words were also heard by the people present.
Per traditional accounts, some Brahmins of Varanasi were still not satisfied, and sent two thieves to steal the manuscript. The thieves tried to break into the Ashram of Tulsidas, but were confronted by two guards with bows and arrows, of dark and fair complexion. The thieves had a change of heart and came to Tulsidas in the morning to ask who the two guards were. Believing that the two guards could be none other than Rama and Lakshmana, Tulsidas was aggrieved to know that they were guarding his home at night. He sent the manuscript of Ramcahritmanas to his friend Rai Todar Mal, the finance minister of Akbar, and donated all his money.The thieves were reformed and became devotees of Rama.
Last compositions
Around Vikram 1664 (1607 CE), Tulsidas was afflicted by acute pain all over his body, especially in his arms. He then composed the Hanuman Bahuk, where he describes his bodily pain and suffering in several stanzas. He was relieved of his pain after this composition. Later he was also afflicted by Bartod boils (Hindi: बरतोड़, furuncles caused by pulling out of the hair), which may have been the cause of his death.The Vinaypatrika is considered as the last compositions of Tulsidas, believed to be written when Kali Yuga started troubling him.In this work of 279 stanzas, he beseeches Rama to give him Bhakti ("devotion"), and to accept his petition. Tulsidas attests in the last stanza of Vinaypatrika that Rama himself signed the manuscript of the work. The 45th stanza of the Vinaypatrika is sung as the evening Aarti by many Hindus.
Death
Tulsidas left his body at the Assi Ghat on the bank of the river Ganga in the Shraavan (July–August) month of the year Vikram 1680 (1623 CE). Like the year of his birth, traditional accounts and biographers do not agree on the exact date of his death. Different sources give the date as the third day of the bright half, seventh day of the bright half, or the third day of the dark half.Works
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- Awadhi works – Ramcharitmanas, Ramlala Nahachhu, Barvai Ramayan, Parvati Mangal, Janaki Mangal and Ramagya Prashna.
- Braja works – Krishna Gitavali, Gitavali, sahitya ratna, Dohavali, Vairagya Sandipani and Vinaya Patrika.
Ramcharitmanas
Ramacharitamanas (रामचरितमानस, 1574–1576), "The Mānasa lake brimming over with the exploits of Lord Rāma" is an Awadhi rendering of the Ramayana narrative. It is the longest and earliest work of Tulsidas, and draws from various sources including the Ramayana of Valmiki, the Adhyatma Ramayana, the Prasannaraghava and Hanuman Nataka. The work consists of around 12,800 lines divided into 1073 stanzas, which are groups of Chaupais separated by Dohas or Sorthas. It is divided into seven books (Kands) like the Ramayana of Valmiki, and is around one-third of the size of Valmiki's Ramayana.The work is composed in 18 metres which include ten Sanskrit metres (Anushtup, Shardulvikridit, Vasantatilaka, Vamshashta, Upajati, Pramanika, Malini, Sragdhara, Rathoddhata and Bhujangaprayata) and eight Prakrit metres (Soratha, Doha, Chaupai, Harigitika, Tribhangi, Chaupaiya, Trotaka and Tomara). It is popularly referred to as Tulsikrit Ramayana, literally The Ramayana composed by Tulsidas. The work has been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poesy", "the greatest book of all devotional literature", "the Bible of Northern India", and "the best and most trustworthy guide to the popular living faith of its people."Several manuscripts of the Ramcharitmanas are claimed to have been written down by Tulsidas himself. Grierson wrote in the late nineteenth century, two copies of the epic were said to have existed in the poet's own handwriting. One manuscript was kept at Rajapur, of which only the Ayodhyakand is left now, which bears marks of water. A legend goes that the manuscript was stolen and thrown into Yamuna river when the thief was being pursued, and only the second book of the epic could be rescued.[] Grierson wrote that the other copy was at Malihabad in Lucknow district, of which only one leaf was missing.Another manuscript of the Ayodhyakanda claimed to be in the poet's own hand exists at Soron in Etah district, one of the places claimed to be Tulsidas' birthplace. One manuscript of Balakanda, dated Samvat 1661, nineteen years before the poet's death, claimed to be corrected by Tulsidas, is at Ayodhya. Some other ancient manuscripts are found in Varanasi, including one in possession of the Maharaja of Benares that was written in Vikram 1704 (1647), twenty-four years after the death of Tulsidas.
Other major works
The five major works of Tulsidas apart from Ramcharitmanas include:[83]- Dohavali (दोहावली, 1581), literally Collection of Dohas, is a work consisting of 573 miscellaneous Doha and Sortha verses mainly in Braja with some verses in Awadhi. The verses are aphorisms on topics related to tact, political wisdom, righteousness and the purpose of life. 85 Dohas from this work are also found in the Ramcharitmanas, 35 in Ramagya Prashna, two in Vairagya Sandipani and some in Rama Satsai, another work of 700 Dohas attributed to Tulsidas.
- sahitya ratna or ratna Ramayan (1608–1614), literally Collection of Kavittas, is a Braja rendering of the Ramayana, composed entirely in metres of the Kavitta family – Kavitta, Savaiya, Ghanakshari and Chhappaya. It consists of 325 verses including 183 verses in the Uttarkand. Like the Ramcharitmanas, it is divided into seven Kands or books and many episodes in this work are different from the Ramcharitmanas.
- Gitavali (गीतावली), literally Collection of Songs, is a Braja rendering of the Ramayana in songs. All the verses are set to Ragas of Hindustani classical music and are suitable for singing. It consists of 328 songs divided into seven Kands or books. Many episodes of the Ramayana are elaborated while many others are abridged.
- Krishna Gitavali or Krishnavali (कृष्णगीतावली, 1607), literally Collection of Songs to Krishna, is a collection of 61 songs in honour of Krishna in Braja. There are 32 songs devoted to the childhood sports (Balalila) and Rasa Lila of Krishna, 27 songs form the dialogue between Krishna and Uddhava, and two songs describe the episode of disrobing of Draupadi.
- Vinaya Patrika (विनयपत्रिका), literally Petition of Humility, is a Braja work consisting of 279 stanzas or hymns. The stanzas form a petition in the court of Rama asking for Bhakti. It is considered to be the second best work of Tulsidas after the Ramcharitmanas, and is regarded as important from the viewpoints of philosophy, erudition, and eulogistic and poetic style of Tulsidas. The first 43 hymns are addressed to various deities and Rama's courtiers and attendants, and remaining are addressed to Rama.
SOURCES ; WIKIPEDIA AND GITA PRESS
POSTED BY.............; VIPUL KOUL
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