Wednesday, November 27, 2019

An idol of renunciation – Swamiji Shri Ramsukhdasji Maharaj

n idol of renunciation – Swamiji Shri Ramsukhdasji Maharaj


“Oh God ! I do not forget you. “
— Swamiji Shri Ramsukhdasji Maharaj
Swami Ramsukhdasji Maharaj was born in a small village “Maadpura” in the Nagore district of Rajasthan in Vikram Samvat 1960 (1904 A.D.) in the Vedic calendar month of Falgun. In the young age of just 4 years, his mother made him an ascetic (Saadhu). Fulfilling the completely renunciate duties of an ascetic, he stayed on this earth for an age of approximately 102 years and throughout his life, he went from village-to-village and city-to-city and kept pouring the nectar of satsang.
He lived his life on “Bhiksha” and continued his “ Mansa-Vacha-Karma” (duty towards humankind ) till his last days without hoping to get any thing in return.
Prime objective of his life was to deliver the divine messages of Gita to people for the welfare of them. He stayed away from tasks such as being photographed, getting his feet touched, making disciples, accepting gifts or donations, accumulating money or things etc., building ashrams (monasteries), making cults etc., So neither he establish any personal relationship with any person, organization, cult, monastery etc., nor did he appoint anyone as his disciple, propagator, or successor.
He discovered many revolutionary, novel, and remarkable methods and spread them across the masses through his discourses and articles. Without insisting upon any opinion, argument, cult etc., he propagated only that which was his own experience. He explained the deep, complicated and the most eminent subjects of the spiritual path to the common man in an extremely simple manner, so that an average literate man too can easily understand them and can apply them in his life.
Swamiji Maharaj ‘s commentary on Gita :
‘Sadhak-Sanjivani’ an unprecedented commentary on Shrimad Bhagavad Gita by Swamiji be an outstanding gift to the world. He also authored several unparalleled texts such as ‘Gita-Darpan’, ‘GitaPrabodhani’, ‘Sadhan-Sudha-Sindhu’ etc. The lessons from the books, leave an immutable, irrevocable impression on the readers, as these are not dependent on just scholarly writings, but are based on experience rather than learning.
This glorious personage of the world disappeared on July 3rd, 2005 (Aashadh Krishna 12, Vikram Samvat 2062) on the banks of Ganga, Gita Bhavan, Swargashram(Rishikesh).
A HUMBLE REQUEST (A Will) By Swami Ramsukhdas ji
It is only due to the extreme grace of Almighty God that the soul acquires a human body. Its only purpose is attaining God. But, after obtaining this body, human being tends to forget his original purpose and gets firmly attached to the body and starts believing in bodily pleasures as being ultimate. By giving power and importance to the body, he starts relating to it and hence is so attracted to it that its name too becomes dear to him. Of all the bodily pleasures, the most menial is respect-seeking. To attain this, he also indulges in vices like falsehood, cunningness and dishonesty. Due to the love for his body, he desires its praise and compliments from others. He desires to seek self praise through-out his life and wishes that after his death, his name and fame remains eternal. He tends to forget that the name given to this body for worldly convenience does not have any existence whatsoever after the body perishes. In light of this, body worshipping, respect-seeking and eternity of name is of least importance. But due to widespread inner desire for bodily respect and eternity of name and fame, humans behave in such a manner, not only with himself and his near and dear ones, but also with those who are the knowledgeable and thus following the righteous path shown by the esteemed scholars and the scriptures trying to attain their ultimate goal of being one with the Almighty. What more can be said when the body of such an enlightened one dies, but in order to continue their remembrance, their body is captured in pictures and with all the pomp and decorations (garlands etc.) the body is taken to the cremation ground. In order to immortalize the mortal name, they erect edifices like structures in the form of memorials. In addition to this, they write exaggerated and one-sided incidents of the deceased being and publish them in the form of biographies and remembrances. On one side, they call themselves followers of that enlightened one and on the other do exactly the thing that he deterred in life!
The essence of belief is immortal. Hence, the belief must be on the principle and worlds of such enlightened one and not on mortal body or name. There is only desire and not belief in the mortal body and name. But such misdeeds happen only when desires take the garb of beliefs. Hence, giving undue importance to mortal bodies and in deterring to worship and praise that eternal, immortal, divine and immaculate Almighty Being not only makes our life useless but it also is a great ditching of self.
swami ramsukhdas ji
If seen in its true perspective, this body is only a machine producing urine and excretion. Given the best of foods or even “prasad” of God, it shall leave the body through excretion and given the best of drinks or even water of holy Gang, the same will be passed out as urine. This body is excretion and urine producing machine till the time there is life and once the death prevails, even touching it requires bathing. In reality, this body is dying every moment. The real and authentic consciousness which is present in the body cannot be captures in pictures. Only the body that is decaying every second can be pictured. That is why the body also does not remain the same as it was, while the picture was taken. Hence, worship of photograph is worship of “ASAT” (that which is not there). In the photograph, the body remains lifeless, so the picture of this lifeless collection of bones and tissues is more lifeless than the dead body itself!
Those whom we term as Mahatma – the enlightened one – are Mahatma because of their total renouncement of the bodily pleasures and not because of their attachment to it. They consider this body as excretory matter. Hence, showering respect over Mahatma’s body is like respecting excretory matter! Is this right? If someone says that just like we worship God’s photograph, what s wrong in worshipping a Mahatma’s photograph? Then saying this is also not apt because God’s body is divine and immortal, while that of that of Mahatama is made of destructible and perishable matters that we call “panch-tattva”. God is Omnipresent, hence He is there – present in the photographs also. But omnipresence (other than body) of Mahatma is due to omnipresence of the God Himself. God encompasses all the Mahatmas; hence worship of God includes worshipping of all the Mahatmas. Hindrance shall be created in worship of God if the body and photographs of Mahatmas are worshipped and this is strictly against the very principles of Mahatmas. A Mahatma has come to this world to guide the people to God and not towards himself. The one who guides the people to himself (for worship) is anti-god. In fact, a Mahatma is never limited to a body.
Actual biography is the one which depicts factual matters, meaning which puts forth the good and bad facts (virtues and vices) of life in a most truthful ways. Only the person himself can know the factual incidents of his life. Others shall only derive estimates about it as per their own intellect and this is often not true. The biographies that are written nowadays, more so hides the faults and vices and depicts only unwarranted virtues. Hence they are actually not the factual, complete and real depiction. In fact, where can we find a better biographical character sketch of any other, than Marayada Purshottam Sri Ram? Hence, his biography and character sketch must be heard and read and our life must be molded and lived in accordance with it. We must try and live our life in accordance with advice and principles of those whom we consider as Mahatma.
After thinking on the points mentioned earlier, I would like to humbly make a request to all my acquainted Saints and good people. I have made the points on a personal level, meaning that I have prohibited my photographs, pictures, memorials, biographies etc. The sole purpose of this article is to clearly state as to what shall be your duties towards this body at the time when I have become physically unfit and my body had finally rested.
(1) When this body becomes unfit to move around and in the opinion of doctors has no chance of revival, then it is to be taken to the shores of Holy Ganga. Do not use any medications at such time; make use of only waters of Holy Ganga and Tulsi. During such period, uninterrupted chant God’s name and praises and let the Holy Scriptures like Srimad Bhagavadgita , Shri VishnushahastraNaam, Sri RamcharitaManas etc. be read and heard.
(2) When the body is dead, use only Gopichandan and Tulsimala, not flowers, scents or Gulal etc. The body that is dead should be carried in mere cloth as per the saintly traditions and not on the Vaikunthi made of wood etc.
The way that I have been prohibiting in my living days the feet touching, dandvat pranam, parikrama, garlanding, chanting of my name etc., similarly, after my body’s dies, consider feet touching, dandvat pranaam, parikrama, garlanding, chanting my name etc, as prohibited.
I altogether condemn taking photographs of this body in its living, dead or last rites state.
(3) In the event of its death in some other place or village, it is my hearty wish that my body be kept on a vehicle and brought to the shores of Holy Ganga and its last rites be done there. In case due to some unavoidable reasons, it is not possible to do so, then, in that city or village where the body became lifeless, in that same village towards the forest or a pathway that leads out of the city where cows etc. rest, there in the presence of the sun (during day time) the last rites must be completed.
When this body becomes still, there should be no waiting for anyone. After the last rites only devotional songs and loud chanting of the Lord’s name, Divine Name repetition (Naam Japa) etc. alone should be done, and the last rites must be completed with absolute simplicity.
(4) During the last rites, all the utilitarian goods (clothes, shoes etc.) should all be burnt with this body and the “avashishth” things (books, kamadalu etc) should not be kept in prayer room or in the form of remembrance at all. Rather these must be put to use “saamanya.”
(5) The place where this body’s last rites are done, nothing should be created there in the form of a memorial, to that extent that I even object to you placing stones etc. in that spot. As the place was before the last rites, it should once again be the same after last rites. After the last rites, the ashes and all other “avashishth” things should be offered into Gangaji.
Neither “goushaala” (cow protection shed), school, “chikitsaalaya” etc or any service organization must not be formed in my memory. While the body was living too I have not encouraged and built any structures, buildings etc. for me, and for this I have not inspired anyone either to do so. If any individual, anywhere, shows a building as being created due to an inspiration from me, then consider that to be entirely false.
(6) After this body becomes still, let there be no “satrahavin”, festival or a celebration etc., and during those days let there be no sweets etc. Just as the sages and ascetics have been bringing “bhikshaa” in front of me so far, in the same way they should continue to do so. If good householder out of their own will bring “bhikshaa” daily meals, then that very same “bhikshaa” should be accepted, in which there are no sweets. If some ascetic and good families come from out-of-town then in the arrangements and preparation of their food, let there be no sweets, rather their meals too, should be ordinary.
(7) When this body becomes still, let there be no grief or a gathering for mourning etc., rather for seventeen days let there be “satsang”, singing the glories of the Lord and chanting of His divine name, and Divine Name repetition (bhagvat naam japa), recitation of Gita, recitation of Ramcharitramanas, reading of Saint’s divine speeches, reading of Srimad Bhagwat etc. Only spiritual undertakings “adhyaatmik krtya” must be carried on during this period. In Sanatana Hindu Sankriti (Hindu culture), during these days, these above “krtya” are considered to be main.
(8) When this body becomes still, on the seventeenth day or any other occasion if some gentleman wants to give money-clothes, etc or anything as a gift then it should not be taken, in other words, there should be no gifts accepted from anyone, of any kind whatsoever. If someone says that we donate a certain amount to the temple, than consider this sort of thing to be useless, you must object and oppose this person. If a person sends any gift from some other place, through anyone then it must not be accepted at all. Rather, refuse it entirely. Not only must no gifts be taken from anyone, but there should also be that alertness, that caution, to not give give sheets, rent money etc., to anyone.
When there is objection to taking or doing anything for seventeen days, then what to speak of annual events etc. These are all to be understood as something that I object to.
(9) When this body becomes still, anything related to this body, any incidents, “smaarika” remembrance etc must not be revealed in any form.
Lastly I humbly request all those saints and good family members that I have come in contact with, that those things that I have objected, they should not be done in any situation or circumstance. When this body becomes still, the actions and conduct that is opposed to what I have shared, or any form of arugments “vivaad”, opposition “virodh”, differences of opinion, fights, frivolous controversy “vitandaavaad” etc. by introducing an inexpressible state “avaachaneeya,” he should not become a sinner, or a partner in the sins. Rather with total steadfastness, love, simplicity and mutual trust, and relating without any deviousness, following the previous instructions, reciting and chanting the holy name of God, the final rites must be completed. Whenever and wherever there is an opportunity, the instructions provided with regards to this body should be followed by all those associated that are present at that time.
During my lifetime, through my body, speech, mind, knowingly, unknowingly, if any one experienced any kind of difficulty, then I humbly from my heart and profusely beg your forgiveness. It is my sincere hope, that you all will forgive me with much generosity.
Ram ……….. Ram ………. Ram …………
From “Ek Sant Ki Vasiyat” (page 12 – 13) by Swami Ramsukhdasji
Seeing what is essential in present times, I am sharing some of my thoughts. If someone in my name, appears to be bahaving against these principles and thoughts, then one must try to make every effort to prevent him from doing so.
When my diksha Guru left his mortal body in 1987 and when I completed all the religious rites, at that time I made a firm commitment that besides attaining knowledge of the essential Self, there is nothing else I want to do. I do not want to ask anyone for anything. I do not want to keep any money with me, nor want to touch it. I do not wish to go anywhere, on my own. Whoever would like to take me somewhere, may do so. After that, I came in contact with Shri Jayadayalji Goyandka of Gita Press. In my eyes, he was an enlightened soul, God Realized great soul. His influence and impact on my life was immense.
I am not affiliated with any individual, organization, ashram, etc. If due to some reason, there was a relationship, it was for that moment, and not forever. I am eternally a seeker of Truth, not of any individual.
I have forever been of the mindset that people instead of seeing something divine and special in me, or in any other individuals and becoming engaged with a particular person, should become engaged directly with God. I am totally and strongly against worship and puja of a person, an individual.
I have no place, spiritual organization or ashram. I do not have a seat (position) nor do I consider anyone my disciple, messenger, or one who is rightfully eligible to answer queries on my behalf. After this life, only my books will provide the direction and lead the path. Increasing awareness of Gita Press books, protection of cows (gau rakshaa) and association with holy company, Truth (satsang) has been my eternal aspiration.
I do not allow and am totally against taking my photograph, or touching my feet, or raising hands in praise and glory, or making someone wear holy beads. I do not give offering of food (prasad), bead necklace, scarf, clothes, blanket etc to anyone. I myself only sustain my body through food offered by others (bhikshaa).
For Satsang and other spiritual work, I object to the raising (accumulating) of funds (donations).
I do not give blessings or wish evil or give boon to anyone, nor do I understand and consider myself capable of doing such things.
I give greater importance to Gangaji, the Sun or reverence / recitation of holy scriptures instead of my visitation and viewing (my darshan).
I have once and for all, entirely given-up the touching of Money and Women.
In those news-papers, magazines or written publications where there are advertisements printed, I object to my writings being published. Similiarly, in shops, places of trading, or in calendars pertaining to commercial business or any tools, materials created for the awareness of the businesses, there too, I object to my name being printed in any such publications or places. This however does not apply to the advertisement of Gita Press books.
During discourses, I have established a practice of women and men sitting separately. In my proximity and few feet in the surrounding areas, only men will sit. The seating arrangements for men, will be arranged by men and for women will be arranged by women. Only men should raise their hands, not women ! while praising the glories of God.
Of the three Yogas – Karma Yoga (Path of Action), Jnana Yoga (Path of Knowledge) and Bhakti Yoga (Path of Devotion), I consider Path of Devotion to be best of all, and I believe that it is only through eternal divine Love that man attains perfection.
He who says he is my disciple and considers himself to be blessed by me and gives discourses and seeks respect and recognition, who takes money from devotees, who keeps contact with women, who takes gifts or asks for things, he must be considered a deceitful person. He who accumulates money in my name, he incurs immense sin. That person’s sins are not eligible for forgiveness.
Ram …..Ram ….. Ram
From last discourse in Hindi by Swami Ramsukhdasji on June 29th, 2005 at Gita Bhavan, Swargashram, Rishikesh, India, where Swamiji last resided.
One excellent, very easy, very straight forward point. That is Do not have any desires of any sort, whatsoever. Neither of Paramatma (God), nor of Self (A tma ), nor of the World, nor of Salvation, nor of Benediction, have no desires at all and be silent. Be still. Because Paramatma is present in all places, in the form of stillness.
If there is no want, no desire of any sort, then Paramatma can be realized instantly, Self Realization can happen, perfection and complete fulfillment is attainable !
This is everyone’s experience that some desires are fulfilled and others are not. It is not a rule that all desires will be fulfilled. The fulfillment of all desires is not in our hands, but it is in our hands to give up desires. When no more wishes, no more desires remain, then you will be naturally situated in Paramatma . You will have the realization (experiential knowledge) of God. No wants, nothing to do, no place to go, no place to arrive, nothing to study, nothing to practice, that is all there is only these simple points. In just these few words, everything has been said entirely ! It is due to desiring something that we experience bondage in this world. On leaving these desires completely, once and for all, one becomes naturally, situated in Paramatma (God), who is present everywhere, in entirety.
In all your activities remain neutral and impartial. Have no attachment (likes)
and aversion (dislikes).
“Tulasi mamata Ram so, samtaah sab sansaar
Raag ne rosh ne dosh dukh, daas bhaye bhav paa.”
(Dohaavali 94)
There are actions and there are objects. Both these are in Nature (Prakriti ). While discontinuing relationship with objects and actions, rely on only Paramatma (God). Take refuge in only God, That is It. You are already naturally situated in God.
In a dream a mother’s child was lost. She was deeply distressed and grieving. But when she woke up from her sleep, she saw that her child is sleeping right next to her The point of this message is that wherever you are, there Paramatma (God) IS completely and entirely. Wherever you are, there itself be still !!
Discourse by Swami Ramsukhdasji, on June 30th, 2005, approximately 11 am at Gita Bhavan, Rishikesh, India
Question: Yesterday you said that have no wants. Leave desires and become silent, of these two, which one is more beneficial?
Swamiji : I am God’s, God is mine, I am no one else’s, and no one else is mine. Accept this. Being free of desires and being silent both these are the same. Let there be no desire at all, neither of sense enjoyments, nor of liberation, nor of love, nor of devotion, nor anything else.
Question : One is not to desire, but if some work needs to take place then?
Swamiji : Do the work with great enthusiasm, do it round the clock, but don’t have any want. Understand this point properly. Serve others, try to remove their sorrows, but in return do not want anything from them. Serve them, and then become silent. If working somewhere, take the wages, but do not desire anything.
The main point is that wherever you are, there itself is God. If you desire nothing, then you will be situated in only God. When all is God only, then what is there to desire? It is due to desiring the world, that we are in the world. When there is no desire, then we are situated in God
THE ORIGINAL LECTURE WAS DELIVERED IN HINDI.
Completely rid of attachment, idol of renunciation, Revered Swamiji Maharaj had especially instructed that no one may write his biography. Above said introduction has been written only to acquaint people with this great saint and thereby uplift them and benefit from his discourses.
ramsukhdas ji niwas
Sant Nivas – Gita Bhawan 3, Rishikesh

Sant Nivas Swami Ramsukhdas ji , Gita Bhawan , Rishikesh

हनुमान प्रसाद पोद्दार

हनुमान प्रसाद पोद्दार (1892 ई - २२ मार्च १९७१) का नाम गीता प्रेस स्थापित करने के लिये भारत व विश्व में प्रसिद्ध है। गीता प्रेस उत्तर प्रदेश के गोरखपुर नगर में स्थित है। उनको प्यार से भाई जी कहकर भी बुलाते हैं। आज गीता प्रेस गोरखपुर का नाम किसी भी भारतीय के लिए अनजाना नहीं है। सनातन हिंदू संस्कृति में आस्था रखने वाला दुनिया में शायद ही कोई ऐसा परिवार होगा जो गीता प्रेस गोरखपुर के नाम से परिचित नहीं होगा। इस देश में और दुनिया के हर कोने में रामायण, गीता, वेद, पुराण और उपनिषद से लेकर प्राचीन भारत के ऋषियों -मुनियों की कथाओं को पहुँचाने का एक मात्र श्रेय गीता प्रेस गोरखपुर के संस्थापक भाईजी हनुमान प्रसाद पोद्दार को है। प्रचार-प्रसार से दूर रहकर एक अकिंचन सेवक और निष्काम कर्मयोगी की तरह भाईजी ने हिंदू संस्कृति की मान्यताओं को घर-घर तक पहुँचाने में जो योगदान दिया है, इतिहास में उसकी मिसाल मिलना ही मुश्किल है।

जीवन

भारतीय पंचांग के अनुसार विक्रम संवत के वर्ष १९४९ (सन् 1892 ई) में अश्विन कृष्ण की प्रदोष के दिन उनका जन्म हुआ। इस वर्ष यह तिथि शनिवार, 6 अक्टूबर को है। राजस्थान के रतनगढ़ में लाला भीमराज अग्रवाल और उनकी पत्नी रिखीबाई हनुमान के भक्त थे, तो उन्होंने अपने पुत्र का नाम हनुमान प्रसाद रख दिया। दो वर्ष की आयु में ही इनकी माता का स्वर्गवास हो जाने पर इनका पालन-पोषण दादी माँ ने किया। दादी माँ के धार्मिक संस्कारों के बीच बालक हनुमान को बचपन से ही गीता, रामायण वेद, उपनिषद और पुराणों की कहानियाँ पढ़न-सुनने को मिली। इन संस्कारों का बालक पर गहरा असर पड़ा। बचपन में ही इन्हें हनुमान कवच का पाठ सिखाया गया। निंबार्क संप्रदाय के संत ब्रजदास जी ने बालक को दीक्षा दी।

स्वतंत्रता संग्राम

उस समय देश गुलामी की जंजीरों में जकड़ा हुआ था। इनके पिता अपने कारोबार का वजह से कलकत्ता में थे और ये अपने दादाजी के साथ असम में। कलकत्ता में ये स्वतंत्रता आंदोलन के क्रांतिकारियों अरविंद घोष, देशबंधु चितरंजन दास, पं झाबरमल शर्मा के संपर्क में आए और आज़ादी आंदोलन में कूद पड़े। इसके बाद लोकमान्य तिलक और गोपालकृष्ण गोखले जब कलकत्ता आए तो भाई जी उनके संपर्क में आए इसके बाद उनकी मुलाकात गाँधीजी से हुई। वीर सावकरकर द्वारा लिखे गए '१८५७ का स्वातंत्र्य समर ग्रंथ' से भाई जी बहुत प्रभावित हुए और १९३८ में वे वीर सावरकर से मिलने के लिए मुंबई चले आए। १९०६ में उन्होंने कपड़ों में गाय की चर्बी के प्रयोग किए जाने के खिलाफ आंदोलन चलाया और विदेशी वस्तुओं और विदेशी कपड़ों के बहिष्कार के लिए संघर्ष छेड़ दिया। युवावस्था में ही उन्होंने खादी और स्वदेशी वस्तुओं का प्रयोग करना शुरु कर दिया। विक्रम संवत १९७१ में जब महामना पं. मदन मोहन मालवीय बनारस हिंदू विश्वविद्यालय की स्थापना के लिए धन संग्रह करने के उद्देश्य से कलकत्ता आए तो भाईजी ने कई लोगों से मिलकर इस कार्य के लिए दान-राशि दिलवाई।

गीताप्रेस

भाईजी ने अपने जीवन काल में गीता प्रेस गोरखपुर में पौने छ: सौ से ज्यादा पुस्तकें प्रकाशित की। इसके साथ ही उन्होंने इस बात का भी ध्यान रखा कि पाठकों को ये पुस्तकें लागत मूल्य पर ही उपलब्ध हों। कल्याण को और भी रोचक व ज्ञानवर्धक बनाने के लिए समय-समय पर इसके अलग-अलग विषयों पर विशेषांक प्रकाशित किए गए। भाई जी ने अपने जीवन काल में प्रचार-प्रसार से दूर रहकर ऐसे ऐसे कार्यों को अंजाम दिया जिसकी बस कल्पना ही की जा सकती है। १९३६ में गोरखपुर में भयंकर बाढ़ आगई थी। बाढ़ पीड़ित क्षेत्र के निरीक्षण के लिए पं. जवाहरलाल नेहरु -जब गोरखपुर आए तो तत्कालीन अंग्रेज सरकार के दबाव में उन्हें वहाँ किसी भी व्यक्ति ने कार उपलब्ध नहीं कराई, क्योंकि अंग्रेज कलेक्टर ने सभी लोगों को धौंस दे रखी थी कि जो भी नेहरु जी को कार देगा उसका नाम विद्रोहियों की सूची में लिख दिया जाएगा। लेकिन भाई जी ने अपनी कार नेहरु जी को दे दी।

अकाल

१९३८ में जब राजस्थान में भयंकर अकाल पड़ा तो भाई जी अकाल पीड़ित क्षेत्र में पहुँचे और उन्होंने अकाल पीड़ितों के साथ ही मवेशियों के लिए भी चारे की व्यवस्था करवाई। बद्रीनाथ, जगन्नाथपुरी, रामेश्वरम, द्वारका, कालड़ी श्रीरंगम आदि स्थानों पर वेद-भवन तथा विद्यालयों की स्थापना में भाईजी ने महत्वपूर्ण भूमिका निभाई। अपने जीवन-काल में भाई जी ने २५ हजार से ज्यादा पृष्ठों का साहित्य-सृजन किया।
फिल्मों का समाज पर कैसा दुष्परिणाम आने वाला है इन बातों की चेतावनी भाई जी ने अपनी पुस्तक `सिनेमा मनोरंजन या विनाश' में देदी थी। दहेज के नाम पर नारी उत्पीड़न को लेकर भाई जी ने `विवाह में दहेज' जैसी एक प्रेरक पुस्तक लिखकर इस बुराई पर अपने गंभीर विचार व्यक्त किए थे। महिलाओं की शिक्षा के पक्षधर भाई जी ने `नारी शिक्षा' के नाम से और शिक्षा-पध्दति में सुधार के लिए वर्तमान शिक्षा के नाम से एक पुस्तक लिखी। गोरक्षा आंदोलन में भी भाई जी ने भरपूर योगदान दिया। सन १९६६ के विराट गोरक्षा आन्दोलन मे महात्मा रामचन्द्र वीर द्वारा किये गये १६६ दिन के अनशन का इन्होने पुरा समर्थन किया। भाई जी के जीवन से कई चमत्कारिक और प्रेरक घटनाएं जुड़ी हुई है। लेकिन उनके जीवन की सबसे महत्वपूर्ण बात यही है कि एक संपन्न परिवार से संबंध रखने और अपने जीवन काल में कई महत्वपूर्ण लोगों से जुड़े होने और उनकी निकटता प्राप्त करने के बावजूद भाई जी को अभिमान छू तक नहीं गया था। वे आजीवन आम आदमी के लिए सोचते रहे। इस देश में सनातन धर्म और धार्मिक साहित्य के प्रचार और प्रसार में उनका योगदान उल्लेखनीय है। गीता प्रेस गोरखपुर से पुस्तकों के प्रकाशन से होने वाली आमदनी में से उन्होंने एक हिस्सा भी नहीं लिया और इस बात का लिखित दस्तावेज बनाया कि उनके परिवार का कोई भी सदस्य इसकी आमदनी में हिस्सेदार नहीं रहेगा।

गिरफ़्तारियां

कलकत्ता में आजादी आंदोलन और क्रांतिकारियों के साथ काम करने के एक मामले में तत्कालीन ब्रिटिश सरकार ने हनुमान प्रसाद पोद्दार सहित कई प्रमुख व्यापारियों को राजद्रोह के आरोप में गिरफ्तार कर जेल भेज दिया। इन लोगों ने ब्रिटिश सरकार के हथियारों के एक जखीरे को लूटकर उसे छिपाने में मदद की थी। जेल में भाईजी ने हनुमान जी की आराधना करना शुरु करदी। बाद में उन्हें अलीपुर जेल में नज़रबंद कर दिया गया। नज़रबंदी के दौरान भाईजी ने समय का भरपूर सदुपयोग किया वहाँ वे अपनी दिनचर्या सुबह तीन बजे शुरु करते थे और पूरा समय परमात्मा का ध्यान करने में ही बिताते थे। बाद में उन्हें नजरबंद रखते हुए पंजाब की शिमलपाल जेल में भेज दिया गया। वहाँ कैदी मरीजों के स्वास्थ्य की जाँच के लिए एक होम्योपैथिक चिकित्सक जेल में आते थे, भाई जी ने इस चिकित्सक से होम्योपैथी की बारीकियाँ सीख ली और होम्योपैथी की किताबों का अध्ययन करने के बाद खुद ही मरीजों का इलाज करने लगे। बाद में वे जमनालाल बजाज की प्रेरणा से मुंबई चले आए। यहाँ वे वीर सावरकर, नेताजी सुभाष चंद्र बोस, महादेव देसाई और कृष्णदास जाजू जैसी विभूतियों के निकट संपर्क में आए।
मुंबई में उन्होंने अग्रवाल नवयुवकों को संगठित कर मारवाड़ी खादी प्रचार मंडल की स्थापना की। इसके बाद वे प्रसिध्द संगीताचार्य विष्णु दिगंबर के सत्संग में आए और उनके हृदय में संगीत का झरना बह निकला। फिर उन्होंने भक्ति गीत लिखे जो `पत्र-पुष्प' के नाम से प्रकाशित हुए। मुंबई में वे अपने मौसेरे भाई जयदयाल गोयन्का जी के गीता पाठ से बहुत प्रभावित थे। उनके गीता के प्रति प्रेम और लोगों की गीता को लेकर जिज्ञासा को देखते हुए भाई जी ने इस बात का प्रण किया कि वे श्रीमद् भागवद्गीता को कम से कम मूल्य पर लोगों को उपलब्ध कराएंगे। फिर उन्होंने गीता पर एक टीका लिखी और उसे कलकत्ता के वाणिक प्रेस में छपवाई। पहले ही संस्करण की पाँच हजार प्रतियाँ बिक गई। लेकिन भाईजी को इस बात का दु:ख था कि इस पुस्तक में ढेरों गलतियाँ थी। इसके बाद उन्होंने इसका संशोधित संस्करण निकाला मगर इसमें भी गलतियाँ दोहरा गई थी। इस बात से भाई जी के मन को गहरी ठेस लगी और उन्होंने तय किया कि जब तक अपना खुद का प्रेस नहीं होगा, यह कार्य आगे नहीं बढ़ेगा। बस यही एक छोटा सा संकल्प गीता प्रेस गोरखपुर की स्थापना का आधार बना। उनके भाई गोयन्का जी व्यापार तब बांकुड़ा (बंगाल) में था और वे गीता पर प्रवचन के सिलसिले में प्राय: बाहर ही रहा करते थे। तब समस्या यह थी कि प्रेस कहाँ लगाई जाए। उनके मित्र घनश्याम दास जालान गोरखपुर में ही व्यापार करते थे। उन्होने प्रेस गोरखपुर में ही लगाए जाने और इस कार्य में भरपूर सहयोग देने का आश्वासन दिया। इसके बाद २९ अप्रैल १९२३ ई० को गीता प्रेस की स्थापना हुई।
== कल्याण का आरम्भ संवत १९८३ विक्रमी (१९२६ ई० ) में मारवाड़ी अग्रवाल महासभा का वार्षिक अधिवेशन दिल्ली में हुआ। इसके सभापति थे सेठ जमनालाल बजाज और स्वागताध्यक्ष थे श्री आत्माराम खेमका | आरम्भ में खेमकाजी ने कुछ कारणों से स्वागताध्यक्ष होना अस्वीकार कर दिया था , बाद में सेठ जयदयाल गोयन्दका के आग्रह से वे तैयार हो गए। अधिवेशन जल्दी प्रारम्भ होनेवाला था प्रश्न उढ़ा स्वागत भाषण लिखने का | खेमका जी शास्त्रज्ञ तथा विद्वान थे , पर उन्हें हिन्दी लिखने का अभ्यास नहीं था। उन्होंने श्री गोयन्दका जी से भाषण तैयार करवा देने की प्रार्थना की। श्री गोयन्दका जी ने पोद्दार जी को दिल्ली जाकर भाषण तैयार करने का आदेश दिया। पोद्दार जी दिल्ली गए और २४ घंटे में ही एक अत्यंत सार गर्भित भाषण लिखकर मुद्रित करा दिया। लोग उसमें व्यक्त विचारों से बहुत प्रभावित हुए | अधिवेशन में भाग लेने के लिए सेठ घनश्याम दास बिरला भी आये थे। उनका यद्यपि पोदार जी से पूर्ण मतैक्य नहीं था तथापि वह भाषण उन्हें पसंद आया। दूसरे दिन अपनी प्रतिक्रया व्यक्त करते हुए उन्होंने पोद्दार जी से कहा -- भेजी तुमलोगों के क्या विचार हैं कैसे हैं कहांतक ठीक हैं इसकी आलोचना हमें नहीं करनी | पर इनका प्रचार तुमलोगों द्वारा समाज में हो रहा है जनता इसे दूर तक मानती भी है। यदि तुमलोगों के पास अपने विचारों और सिद्धांतों का एक " पत्र"होता तो तुमलोगों को और भी सफलता मिलती | तुमलोग अपने विचारों का एक पत्र निकालो |पोद्दार जी ने कहा -- बात तो ठीक है पर मेरा इस सम्बन्ध में कोई अनुभव नहीं है | बिरला जी ने आग्रह करते हुए कहा प्रयास करो | उस समय बात यहीं समाप्त हो गयी | घनश्याम दास जी ने परामर्श के रूप में एक बात कह दी थी | पर यही बात कल्याण मासिक के जन्म का कारण बन गयी | अधिवेशन समाप्त होने के बाद सभी लोग अपने अपने स्थान चले गए | पोद्दार जी बम्बई की ओर चले | उन दिनों दिल्ली से बम्बई जाने के लिए रेवाड़ी होकर अहमदाबाद जाना पड़ता था और वहां से गाडी बदल कर बम्बई | पोद्दार जी दिल्ली से रेवाड़ी गए | रेवाड़ी से भिवानी का आधे घंटे का रास्ता था | पोद्दार जी चूरू से उनदिनों भिवानी आये सेठ जयदयाल गोयन्दकाजी से मिलने भिवानी गए एक दिन वहां रहे | सेठ जी को बाँकुड़ा जाना था और पोद्दार जी को बम्बई | दोनों भिवानी से रिवाड़ी तक साथ आये | रास्ते में उन्होंने घंश्याम्दास्जी द्वारा दिए गए सुझाव पर चर्चा की सेठ जी को यह विचार अच्छा लगा सेठ जी के साथ उनके अनुगत लच्छीराम मुरोदिया भी थे | उन्होंने भी सहमती जताई | उन्होंने पोद्दार जी से वचन ले लिया कि वे प्रत्येक दिन दो घंटा समय सम्पादन के लिए देंगे | पोद्दार जी ने अपनी अनुभवहीनता के बारे में बात की पर मुरोदियाजी नें उन्हें चुप करा दिया | अब नाम का प्रश्न आया | पोद्दार जी के मुंह से निकल गया " कल्याण " | सेठ जी तथा मुरोदिया जी को यह नाम पसंद आया | यह बात चैत्र शुक्ल ९ संवत १९८३ श्री राम नवमी के दिन की है | इसी के साथ तय हो गया कि अक्षय तृतीया (वैशाख शुक्ल तृतीया ) से कल्याण का आरम्भ कर दिया जाय |
एक दिन खेमराज श्री कृष्ण दास प्रेस के मालिक सेठ श्री कृष्ण दास जी पोद्दार जी से मिलने आये | बातचीत के दौरान कल्याण की चर्चा हुई | श्री कृष्ण दास जी ने कहा -- भाई जी पत्र अवश्य निकलना चाहिए | पोद्दार जी ने उनके सामने भी अनुभव की कमी की बात की | श्री कृष्ण दस जी ने सहयोग देनें की बात की | पोद्दार जी आनाकानी कर रहे थे | तब श्री कृष्णदास जी ने पोद्दार जी से कहा -- आपको भगवान् नें आसाम में भूकंप से बचाया | भगवान् आपसे कोई बड़ा काम करवाना चाहते हैं | पोद्दार जी इस तर्क के आगे मौन हो गए | अब "कल्याण " का पंजीकरण हो गया और सामग्री एकत्र कर प्रेस में छपने को दे दिया गया। श्रावण कृष्ण ११ संवत १९८३ विक्रमी को "कल्याण का पहला अंक निकला | प्रकाशक था सत्संग भवन नेमानी बाडी बम्बई | इस प्रकार कल्याण का प्रथम अंक निकला अंक सबको बहुत पसंद आया | प्रारम्भ में इसकी १६०० ग्राहक थे सब बनाए हुए थे बने हुए नहीं | कल्याण के लिए गांधी जी से पोद्दार जी ने आशीर्वाद माँगा | गाँधी जी ने विज्ञापन और पुस्तक समीक्षा न छापने की सलाह दी | पोद्दार जी इसे शिरोधार्य किया और आजीवन इसका निर्वाह किया | आज भी कल्याण में विज्ञापन नहीं छापा जाता | कल्याण के १२ साधारण अंक तथा दूसरे वर्ष का पहला अंक भगवन्नामांक विशेषांक बम्बई से निकला | बाद में इसका प्रकाशन (१९२७ ई ० ) से गीताप्रेस गोरखपुर से होने लगा | इस निमित्त पोद्दार जी बम्बई से गोरखपुर आ गए | (सन्दर्भ "कल्याण पथ निर्माता और राही " ले ० भगवती प्रसाद सिंह प्रकाशक राधामाधव संस्थान गोरखपुर संस्करण संवत २०२७ वि० )
भाईजी ने कल्याण को एक आदर्श और रुचिकर पत्रिका का रूप देने के लिए तब देश भर के महात्माओं धार्मिक विषयों में दखल रखने वाले लेखकों और संतों आदि को पत्र लिखकर इसके लिए विविध विषयों पर लेख आमंत्रित किए। इसके साथ ही उन्होंने श्रेष्ठतम कलाकारों से देवी-देवताओं के आकर्षक चित्र बनवाए और उनको कल्याण में प्रकाशित किया। भाई जी इस कार्य में इतने तल्लीन हो गए कि वे अपना पूरा समय इसके लिए देने लगे। कल्याण की सामग्री के संपादन से लेकर उसके रंग-रुप को अंतिम रूप देने का कार्य भी भाईजी ही देखते थे। इसके लिए वे प्रतिदिन अठारह घंटे देते थे। कल्याण को उन्होंने मात्र हिंदू धर्म की ही पत्रिका के रूप में पहचान देने की बजाय उसमे सभी धर्मों के आचार्यों, जैन मुनियों, रामानुज, निंबार्क, माध्व आदि संप्रदायों के विद्वानों के लेखों का प्रकाशन किया।
अंग्रेजों के जमाने में गोरखपुर में उनकी धर्म व साहित्य सेवा तथा उनकी लोकप्रियता को देखते हुए तत्कालीन अंग्रेज कलेक्टर पेडले ने उन्हें `राय साहब' की उपाधि से अलंकृत करने का प्रस्ताव रखा था, लेकिन भाई जी ने विनम्रतापूर्वक इस प्रस्ताव को अस्वीकार कर दिया। इसके बाद अंग्रेज कमिश्नर होबर्ट ने `राय बहादुर' की उपाधि देने का प्रस्ताव रखा लेकिन भाई जी ने इस प्रस्ताव को भी स्वीकार नहीं किया।
देश की स्वाधीनता के बाद डॉ, संपूर्णानंद, कन्हैयालाल मुंशी और अन्य लोगों के परामर्श से तत्कालीन केंद्रीय गृह मंत्री गोविंद वल्लभ पंत ने भाई जी को `भारत रत्न' की उपाधि से अलंकृत करने का प्रस्ताव रखा लेकिन भाई जी ने इसमें भी कोई रुचि नहीं दिखाई।

Sunday, November 24, 2019

EMPEROR AKBAR ALSO VISITED MARTAND TEERTHAA OF KASHMIR

EMPEROR AKBAR ALSO VISITED MARTAND TEERTHAA OF KASHMIR


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           (Page from Jonaraja's Rajtaringini)  

      Martand Teertha ( Mattan Kashmir ) of Kashmir and visit of Emperor Akbar
Photo Autar Mota.

'' Emperor Akbar visited kashmir three times . Once he brought his finance minister Raja Todar Mal  with him  who camped at village Pattan and measured the whole land to settle the revenue."
From    "Kashmir Through Ages "by Gwasha Lal Kaul.
Ain e Akbari also confirms that Emperor Akbar visited kashmir three times via Pir Panchal .
Rajtarangani of Jonaraja confirms Emperor Akbar ‘s vist to Mattan town as under:-
“ He came from the city of Lahora in order to see the country . On fifth bright lunar day of Ashaadha he arrived with his army in the capital of kashmira .On the seventh bright lunar day of that month he pleased the Brahmans boys with gifts of gold and they blessed him. He then went to Marttanda ( Mattan Teertha ) and gave cows adorned with pearls and gold to Brahmanas . jaylalldina ( jalal Ud din Akbar ) was a great benefactor of Brahmins . Truly a Vikramaditya .Ramdasa his servent gave one hundred pieces of silver and also pieces of gold to every house of Brahman. He also distributed fifty thousand pieces of silver among poor Brahmans. The emperor then ordered shikhaphaija to take one thousand pieces of silver and distribute it among Brahmans and beggars who dwelt in villages and woods respectively. .”
. I need to clarify as under ….
 I need to add that The picture in the post is of Mattan Naag or Martand spring . This is an ancient  Teertha for Hindus especially for performing Shradaa (Homage to dead parents or grand parents ). This particular place finds mention in NEELMAT  PURANA  .
Jonaraja entrusted the manuscript of his Rajtarangini to his trusted pupil Srivara who updated it upto 1486 AD . It was further entrusted to Prajyabhatta and shuka who completed the book upto Akbar’s visit to Kashmir . This entire manuscript was in one book which was finally translated to English from Sanskrit by A Bengali scholar Jogesh Chandra Dutt and published in 1879 AD by Royal Asiatic Society of Bengal and sold as ‘ RAJTARANGINI OF JONARAJA ‘ by Jogesh Chandra Dutt . what I have written is from pages pages 416 to 427 of this book..
 ( Autar Mota )

PS

(1)

At the spot where Gurdwara has come up in Mattan Town, Guru Nanak Dev ji has addressed a large gathering of Brahmans under the shady chinars . He also had a discourse with Brahm Dass ji at Mattan.Brahm Das ji belonged  to Datt  family of Mattan.Later, Kripa Ram Datt from  this family headed a delegation of 500 Kashmiri Brahmans to Amritsar and thence to Anandpur to meet Guru Teg Bahadur ji during dark days of  Afghan rule in Kashmir.....

(2)
There are two temples in Mattan. One the spring temple in the town where Shraadha is performed .The spring water here gushes out and comes to a bigger pond with fish. No Kashmiri  would eat fish from this  sacred  pond. People from north India would perform Shraadha at this spring.Like Haridwar ,Varanasi and Nasik, the local Purohits maintained a Bahi  or RECORD of their Yejmaans . There is another temple( in ruins at present )up above the hill.It is just 2 kms from Mattan town on Ranbirpora  plateau.That is world famous Sun Temple (In Greek Style ) built by illustrious king Lalitaditya of Kashmir in 8th century. It is in ruins but listed as a HERITAGE monument by UNESCO..

(3)
I have personally seen family records of  some prominent  film actors,politicians  and Industrialists of the country in Bahis or records maintained by Purohits of Mattan.

(4)

Ram Dasa finds repeated mention in Jonaraja's Rajtaringini as a trusted servant of king Jaylaldina Akvara (Emperor Akbar) .Ram Dasa is none other than the renowned miniature Painter in Akbar 's Darbar. Akbar  respected him and brought him to Kashmir along with. RamDasa painted illustrations for Emperor's Biography. or  Akbar-nama.

Kashmir in 1920s

...but they are crafty


- A Snake Charmer in the New Bazaar, Srinagar, Kashmir, 1892
from Illustrated London News. [found it here at Columbia.edu]
[Update: It was the work of J. E. Goodall]

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'[They] are good-looking...but they are crafty'.

wrote Buddhist pilgrim from China, Huen Tsang who arrived in Kashmir in A.D. 631 as a state guest and stayed for two years. The exact words,"light and frivolous, and of a weak, pusillanimous disposition. The people are handsome in appearance, but they are given to cunning. 'They love learning and are well-instructed."

Saturday, December 26, 2009

Kashmir in 1920s

Some more vintage photographs from 'Kashmir in Sunlight & Shade: a Description of the Beauties of the Country, the Life, Habits and Humour of its Inhabitants, and an Account of the Gradual but Steady Rebuilding of a Once Down-trodden People' by Cecil Earle Tyndale-Biscoe (1922).


A Winter scene by Pandit Vishwanath.



Back waters of Dal

Swarup Rani, Pandit Nehru's Mother


With Dejhoor, Athoor and Atah dangling from her ear.
An Old photograph of Nehru's Mother, Swarup Rani, housed at Teen Murti Bhavan.

Sunday, December 20, 2009

Kashmiri in 1922

Some more old photographs of Kashmir from 'Kashmir in Sunlight & Shade: a Description of the Beauties of the Country, the Life, Habits and Humour of its Inhabitants, and an Account of the Gradual but Steady Rebuilding of a Once Down-trodden People' by Cecil Earle Tyndale-Biscoe (1922).


Pounding Rice: The mortars are block of wood hollowed out: the pestles are heavy pieces of timber which makes this daily round in women's work very arduous.It is the women's duty to convey water for domestic use. The constant practice of balancing the pots on their heads gives them an erect and graceful poise.

Wednesday, November 25, 2009

Pandit Marriage, 1922


The bridegroom, aged 14, stands in the centre, priests are sitting in front. Pictures of various gods and goddesses lie on the ground.

Photograph by Pandit Vishwanath.

There's a good chance that the photo depicts the thread ceremony of Pandits or Yagnopavit. It's the sahibaan, the tent, in the background that I found interesting.

Found it in: 'Kashmir in Sunlight & Shade: a Description of the Beauties of the Country, the Life, Habits and Humour of its Inhabitants, and an Account of the Gradual but Steady Rebuilding of a Once Down-trodden People'  by Cecil Earle Tyndale-Biscoe (1922).

Sunday, November 22, 2009

Pandit Woman by Pandit Vishwanath, 1922

Kashmir women do not have a working dress. This one has been squatting on a filthy bank cleaning her greasy pots with mud whilst wearing all her gold and silver and precious stones. She has no trinket box at home nor any place to store anything, so besides wearing all her clothes and valuables she has both pockets full, and tucked into her sash a handkerchief, knife, comb and snuff-box, and in the fold of her sleeves snuff and sugar in screws of paper, a needle and cotton and various other things.

The writer must have caught hold of her and given her a good shake and out must have tumbled all her possessions. A needle, a knife, a snuff-box. From the description, I have heard stories about snuff boxes; practice of cleaning pots with mud continued well into the 90s.  And then slowly mud was replaced by Nirma.

Photo by Pandit Vishwanath, a student of Biscoe and the first Kashmiri photographer.Found it in the book 'Kashmir in Sunlight & Shade: a Description of the Beauties of the Country, the Life, Habits and Humour of its Inhabitants, and an Account of the Gradual but Steady Rebuilding of a Once Down-trodden People' (1922) by Cecil Earle Tyndale-Biscoe.

The thing that really interested me in the photograph is her footware. Must be the famous Pulhor [ recent photo] woven from leaves of Iris ( Krishm in Kashmiri ).

(I suspected it) Turns out  she is wearing Krav or wooden sandals.
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Panditanis

With graceful steps, erect and slow
Adown the stone-built, broken stair
The panditanis daily go
And on their head help high they bear

Bright vessels, which they stoop fill
Beneath the bridge's wooden pier:
In pools of clouded amber still
Which gurgle deep and glowing here.

Their movements of unconscious grace
Glint in the Jhelum's flowing stream
Where rich hues shimmering interlace
And in the glancing ripples gleam,

Then with their slender rounded arms
They poise the shining lotas high,
Ot bashful, with half feigned alarms
Draw close their veils with gesture shy.


Bedecked by jewels quaint of form
In pherans robed, whose soft folds show
Tints dyed by rays of sunset warm
Flame, crimson, orange, rose aglow!

With you gay tulips they compare
Which on these grass-grown house-tops blow:
What types for artist's brush more fair
Does all Srinagar's city know?

~ Muriel A.E. Brown
Chenar Leaves: Poems of Kashmir (1921)
Muriel Agnes Eleanora Talbot Brown was the daughter of Lieutenant-Colonel Sir Adelbert Cecil Talbot, Resident, Kashmir 1896- 1900. And first wife of Percy Brown, art historian famous for his work on History of Indian Architecture ( Buddhist and Hindu, 1942 ).

 Another one of her poems. 

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Sunday, November 15, 2009

Photographs of Kashmir, 1921

Here are some old photographs of Kashmir from the book 'Topee and turban, or, Here and there in India'  (1921) by Newell, H. A. (Herbert Andrews, b. 1869). Photographs are by a Sialkot based photographer named R.E. Shorter.


Photograph of the Chenar Bagh on the Dal Canal at Srinagar

Third Bridge on Jehlum - Fateh Kadal. Can see Hari Parbat in the background.

Old Photograph of Pandit Woman, 1921


Found this incredible rare old photograph of Kashmiri pandit woman in a travelogue 'Topee and turban, or, Here and there in India'  (1921) by Newell, H. A. (Herbert Andrews, b. 1869 ). The photograph by R.E. Shorter was used as the frontispiece for this book.. 

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Bedecked by jewels quaint of form
In pherans robed, whose soft folds show
Tints dyed by rays of sunset warm
Flame, crimson, orange, rose aglow!

- lines from poem 'Panditanis' by Muriel A.E. Brown
(Chenar Leaves: Poems of Kashmir, 1921)

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I have previously posted old photographs of Kashmiri Pandit women Here and Here

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Update [Thanks to Avi Raina]

The tight bracelet around the neck was known as 'Tulsi' and long teethy necklace was known as 'Chapkali'.

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Friday, November 13, 2009

Teenk'pour



Gulmarg
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Picked up: "Tankipora or Teenk'pour  near old Secretariat in Srinagar. A place where you could get coin currency in exchange of  cash. And it had been like that, a place to get smaller change, for generations. The place gets its name from 'Teenk'" or 'Tanki' of  the kind issued by Emperor Akbar. Tanki were the copper coin  issued by Akbar from his Ahmadabad, Agra, Kabul, and Lahore mints. System: 10 Tanki (each one weighing 4.15 gram )  = 1 Tanka (230.45 gram)

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He got his first salary - Rs 10. But sadly for him they gave him a ten rupees note. He was absolutely embarrassed. 'How can I hand just this single note to mother? It seems nothing. She would be dejected.'  So he hit upon an idea. He went to Teenk'pour and changed the ten rupee note for 10 paisa coins. Then he went back home and handed over a full jangling bag of coins to his mother. 'Son, they pay you so much salary!  May you prosper more! May you be an afsar soon! Good bless! Urzu! Urzu!' Mother was happy.

Wednesday, November 11, 2009

Illustrated Kashmir, 1870

Found these in 'Letters from India and Kashmir' by J. Duguid, 1870. [The illustrations are by MR. H. R. ROBERTSON, and engraved by MR. W. J. PALM KB, principally from the writer's Sketches.]

View from Shankarachary . Can't take camera up the hill these days.

Martand as described by Sir Alexander Cunningham

 I  mentioned writings of Alexander Cunningham in a previous post about Pandav lar'rey (House of Pandas, as Martand temple was common known among Pandits).

British archaeologist Alexander Cunningham (1814-93), as a young British Army Engineer officer was stationed in Kashmir after the first Sikh War of 1845-1846. In November 1847, he measured and studied most of the ancient structures that existed in Kashmir. Because of his pioneering work he came to be known as the father of Indian Archaeology.

I recently came across some more extracts from his work 'An Essay on the Arian Order of Architecture, as exhibited in the Temples of Kashmir (1848) ' while reading 'Letters from India and Kashmir' by J. Duguid, 1870. Here are the extracts describing Martand temple and its illustrations from the book:

Saturday, October 31, 2009

Happiness


'Hata kyo'ho chukh karaan! Hey, what are you doing!'

Village Tulamulla. Outside the Temple. June, 2008.

Tuesday, October 27, 2009

Memories of Gulmarg



MEMORIES OF GULMARG

O! for the wind in the pine-wood trees

0! for the flowery, scented breeze
In far Gulmarg! in far Gulmarg!

0! for the wealth of flowers so blue
O! for the sound of the ring-dove's coo,

O! for that earth's soft covered breast
The turf my love's footsteps have pressed,

And all the thousand scents which rise
To subtly haunt our memories,

Scents which spring from the very grass

As o'er its velvet growth we pass
In far Gulmarg ! in far Gulmarg !

0! for the babbling brook's clear flow
Dancing from Killan's heights below,

0! for the cold and gleaming snow
Which Apharwat doth proudly show,

And lights and shades which joyous play
On her grey-green slopes all through the day.

O! for the moonlight so serene
As 'thwart the marg she casts her sheen,

O ! for the rainbow tinted vale

Which dream-like fades to vision pale
In far Gulmarg! in far Gulmarg!

Their distant peaks great mountains rear
Pure, shadowy guardians of Kashmir.

And now upon a dreary plain
I wounded lie in aching pain
How far Gulmarg! how far Gulmarg!

But when this pain comes to an end
My soul released swift may it wend

To its true home yonder I know

Instead of Heaven, God let me go,
To far Gulmarg! To far Gulmarg!

~ Muriel A.E. Brown
Chenar Leaves: Poems of Kashmir (1921)

Tv tower and house



Tv tower atop Shankaracharya hill, as seen from Dal gate.

Saturday, October 24, 2009

Swimming

Chinar Saplings


 Saplings and Sandbags.
 Khir Bhawani. June 2008.

Wan Raaz Trivikramasen




'Wan Raaz Trivikramasen! Answer King Trivikramasen' Baital needles the king into answering his trick questions in a 1960s (?) Kashmiri production of Baital Pachisi for Radio Kashmir. The popular  radio show was probably based on Kashmirian Somadeva's Vetalapanchavirhsati  in which the hero, the King  is called 'Trivikramasena, the son of Vikramasena' ** but still refers to the semi-legendary Vikrama or Vikramaditya of Jain tradition.

More about  Vetalapanchavirhsati  Here

Friday, October 23, 2009

Dal Boats


Visiting Ahdoos


She stands in front of the wall, looks at the door, stopped, a little confused. She call the waiter over.

'There used to be toilet here! Where did it go?'
'Madam the toilet is now down stairs. This is the...'

She looks around. At the ceiling, at the walls. I look away, miss the last word. I believe the word was 'lift'. Her old legs slowly lead her downstairs.

The little woman must have been in her early Sixties. When we took a table, she was sitting at a nearby table with two men who looked like her sons. They were having a full table, a full meal. Dinner.

 'They are Kashmiris too. Must be Punjabis.You know the business class. Stayed here for generations.'

I know.

She did the ordering. This was her place. The place. She must have been here a lot -"We must try this, the place served  best of this.'

Tea arrived at our table in a metal kettle. Milk. Sugar.We prepare cups of tea.

'They will bring a fresh hot kettle when this one runs cold. Great service! They have the best tea. Try it.'

This is embarrassing but true. As I take the first sip, the taste on my tongue makes me feel like I have never had tea before in my life. 'What leaves do they use? This is almost a new taste.'

'After four in the evening, this place used to be alive with people. They would crawl out of various government offices, in groups, alone and head for Ahdoos. The place would be filled with cigarette smoke. On one table a group would loudly be pro-government. At a nearby table a group would be loudly subversive.  Tea kettles would turn cold and be duly replaced with a hot bellied one. Discussions went on.'

My father remembers. This was Ahdoos.

It's late evening. The table to the left is occupied by two men, in early thirties. Kashmiris. Almost done about to leave. Newspapers on the table. The two are still talking, but both in friendly conceding tone.  I don't notice them leaving.

Waiter arrives with Chicken patties.

' Ah! Chicken patties! Try them'

Chicken is soft, unlike leather and strangely has a taste. It has been minced to butter.

'The size has become smaller. They used to be bigger.'

Waiter smiles a little. Almost detached from his environment, the man was an old fashioned waiter, in his forties, a pencil moustache, he could have been a government employee. 'Would you like to order anything else?'

'Yes, a serving of Gushtaba.'

'Anything to go with it. Rice. Roti.'

'Nothing.'

Waiter comes to life. 'Nothing. Okay. If you had told me earlier that you were going to have Gushtaba I would have kept tea and patties for after.'

'It's okay. And you are right. But who knew?'

'Anything else?'

'No. That's it'

'Soon.'

Father looks at me and say, 'We will be having dinner with the rest at the hotel. They won't be pleased to know that we came here without them. Hotel owner has been specially asked to prepare a non-veg dinner tonight. So we can't have anything heavy. But Gushtaba will do'

Will more than do.

We  were soon digging into those soft meatballs called Gushtab. Dense and Delightful. Stupendous. Before leaving we ordered another serving, around twelve balls, for the folks back at the hotel. To return empty handed from Ahdoos would have been unforgivable.

Monday, October 19, 2009

Cinema Hall of Kashmir

The mini-van entered city limit, someone inside mentioned Khayyam. Soon they were off rattling mesmerizing names and old tales of visiting this of that theater of Kashmir. They mentioned:

Broadway near the Army cantonment area,
Neelam at the back of the Civil Secretariat,
Shiraaz at Khanyaar,
Palladium and Regal at Lal Chowk, 
Naaz near Iqbal Park,
Shah in Qamarwari,
Firdaus in Hamwal,
Khayyam near the chowk of same name.
Then there was:
Heaven/Hewaan in Anantnag,
Thimaya in Baramula,
and Samad/Summer Talkies in Sopore.

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Kapra in Sopore
Amrish/Regal Talkies at Residency Road:
Regina cinema of Baramulla
Marazi cinema in Kupwara
Heemal at Handwara
Nishat at Anantnag
Zorawar Theater on Srinagar-Baramulla Highway near Pattan,
run by army

These thanks to commenters (see below). Now the total is about 19.
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Image: Remains of Palladium Cinema Hall, Lal Chowk, Srinagar. June, 2008. Burnt down in 1992.

Saturday, October 17, 2009

Jackie


As bombs burst outside,
faint-hearted Jakie ran inside.
Her ears couldn't bear the sound.
Diwali is always loud.
It was, even in Kashmir.
She ran for her life.
Crossing vot,
she made an instinctive dash
for the safest place in the house.
Eyes and some legs followed her.
Jackie ran for thokur-kuth.
The God room, the holy kitchen.
Among the framed family portraits of smiling gods
from the Himalayas, Plains and the Heaven,
Jackie stood moaning right next to the unlit
(but still warm for autumn night) daan.
Howling.
A canine inside a Hindu Kitchen.
'Jackie isn't very fond of Diwali. Jakie went mad.'
They were all now laughing.
Jakie was led out of  the Kitchen.
But nothing could make her come out of the house.
(Weak-hearted Jackie)
So she stayed inside all that night.
'Tomorrow, she may go back to roaming the streets.'
Old lady of the house again cleaned the Kitchen.
Poured water and swept the floor
Purified.
A diya still burning in front of gods. She bolted the door shut.

'You weren't born when this happened.'
I heard this story, every Diwali, every year,
while I was growing up not in that house.
'Jackie must have died a year or two after you were born.
She used to play with you.
You wouldn't remember that (do you)!
Killed.
Someone from the neighborhood fed her something.
A needle in her throat.'

And then the post scripts.

'Then when your sister was born, around that time, we took in a dog.'

I remember the litters. The dog was really shy.

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Thursday, October 15, 2009

Akhbaar


July, 2009

'Sarkar  gir gai! Sarkar  gir gai! The government has fallen!'

At Amira Kadal, a young newspaper vendor was screaming at the top of his voice. The paper was selling briskly. Only paces away from him, on the same pavement, a distraught looking old man, another newspaper vendor, was trying to grab the attention of faceless morning crowd. He was beating the palm of his one hand on his head while the other hand was pointed towards his young competitor.

'Ha yemis kya sa gao! Ha yemis ha'sa niyn ra'tith! What is wrong with him? They will get him! The government hasn't fallen. He is lying through his teeth. Look at him. Stop him.'

People kept walking. He competitor kept making the pitch.

Previous day, the Chief Minister of the state, amid an uproar, had angrily walked out of the assembly house and later submitted his resignation. The resignation was rejected by the governor and the government did not fall.

Wednesday, October 7, 2009

On way, Baltal via Sonamarg

Views on way to Baltal via Sonamarg
July 2009.



Baltal Thajwas Wildlife Sanctuary



A small Fishery




White water rafting in Sindh River

White water

Sindh


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